Even a fleeting encounter with Shiv Datt Sharma, better known as SD Sharma, will leave you inspired. A survivor of Partition, he began life anew in the city of Chandigarh as a young refugee. After acquiring his National Diploma in Architecture in 1959, with virtually no resources at his command, he enrolled himself in the team of architects working on the Capital Project…and his hard work and persistence paid off when he got the opportunity to assist Le Corbusier and Pierre Jeanneret in building the city. It’s a testament to his exemplary architecture, that Sharma was given the task of completing Le Corbusier’s museum after the untimely death of the legendary French architect.
If that’s not enough of a ‘fairytale’ success story, there’s even more. The six decades of his practice of architecture has spanned varied experiences that colour the fabric of the 1931-born architect’s professional life with a brilliance that can only be marvelled at and learnt from. No wonder, then, that most of his contemporaries have been generous in their praise of his contribution (see boxes). While introducing him for his higher studies in Milan, where he did his post-graduation on an Italian scholarship, Jeanneret described him as an “architect of rare qualities who understands deeply the meaning of built environment.”
As an architect working on the Chandigarh Project from 1963-73, Sharma adopted and extended the philosophy of Modernism espoused and practised by Le Corbusier and Jeanneret – an idiom of hybrid thinking. The pure architecture and rational thoughts were geared to building for the purpose, with no superficialities. It was honest expression, glorifying the versatile materials of brick and cement chosen for noble aesthetic reasons – new materials to build a new India.
ãã®èšäºã¯ Architect and Interiors India ã® October 2019 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Architect and Interiors India ã® October 2019 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
DESIGN DEBATE NEW IDEAS SET SAIL IN SCENIC GOA
Replete with Portuguese vibes and picturesque sites, the October Edition of the Design Debate held in Goa was an exceptionally intriguing one.
FENESTRATION FOR VILLAS
In contemporary villa architecture, the use of new-age materials in windows and fenestration is driven by the need for durability, sustainability, and sleek design.
BOLD AND ARTISTIC
Bengaluruâs Reservoire introduces a fresh narrative to the cityâs social landscape, where art, nature, and architecture converge seamlessly.
CITY LIGHTS
Timeless design shapes contemporary comfort in this Mumbai home designed by Open Atelier.
STANDING TALL
High rises and tall structures are ruling urban landscapes even as they make the case for urban growth, sustainability, and enhancing economic and cultural vitality in cities.
TRANSFORMING COMMERCIAL LANDSCAPES
Deepu Shyam Prakash, Founder of Aedium Design, discusses the future of commercial spaces in India, blending sustainability, technology, and user-centric design.
GATHERING OF ARTISTS IN THE "CITY OF ART"
The 34th edition of Design Debate in the city of Vadodara was a grand success
AN ECHO OF DESIGN AND AESTHETICS IN THE CAPITAL
Design Debate's 33rd edition made quite a splash in Delhi
THE VERSATILITY OF VENEERS
Veneers are taking giant strides as they look beyond floors to be used in wall panels, cabinetry, furniture and even ceiling applications.
LET THERE BE LIGHT
Architects are increasingly opting for integrated lighting systems that offer versatility and precision and lighting companies are getting into the groove as they do this and more.