This series of paintings has defined narratives and off-kilter compositions, such as Rococo, a portrait in a traditional style but features cats and girls walking on stilts. Girl Stuff, another of these paintings, is filled with toys and other items on the sitter’s dress.
Pearce has taken a different turn in her most recent grouping of works, where her technical abilities are on full display. Focusing on Midwestern life, these paintings are more internal and more grounded in realism. It is storytelling that is quieter, but reflective of the mood and atmosphere that surrounded Pearce the past year.
“When COVID started, I honestly completely lost my sense of humor and that was just really a life-changing moment for me,” Pearce says. “Just to realize that you’re completely wiped out, you can’t work, you can’t go sell, the galleries can’t be open, it was mind-blowing and knowing that it could happen so quickly [was eyeopening]. I found it difficult to paint humorous things. I started reflecting on what I am going to do with the rest of my life. Am I always going to paint this quirky pop surrealist stuff? I still do, and I like pop surrealism, but it’s not all of my work anymore.”
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Guardians of the Temple â Simon Dinnerstein reflects on The Fulbright Triptych 50 years later.
The Palmer Museum of Art at Penn State University exhibits Simon Dinnerstein's The Fulbright Triptych haunts the visual lexicon of 20th century American representational art. Fifty years have passed since Dinnerstein completed the painting in 1974.
A City Perspective
Leslie Gaduzo has always been interIested in art. Since childhood, he has been drawing constantly, from single point perspective drawings at age 10 to complex architectural drawings.
Living Legacy
The Butler Institue hosts Allied Artists of America's 110th Annual Juried Exhibition.
Elegant yet Approachable
The second edition of the RTIA Show presents even more art to explore and expanded special programming.
Figuratively Speaking
New York has always been an epicenter of artists on the edge of excellence, pushing the envelope and finding their voices.
JAMES AYERS: The Importance of Play
Like many artists, James Ayers' work took a turn during the Covid-19 pandemic. Seeing the enjoyment his kids took from playing with paint in his studio and exploring their creativity inspired him.
GINA MINICHINO: Playing with Food
Gina Minichino started her journey in visual arts because of Charles Schulz. \"He was my earliest influence for drawing and the reason I wanted to be a cartoonist,\" she says.
Island Light
The Cuttyhunk Island Artists' Residency is held in a sprawling, 100-year-old house on an island off the southern coast of Massachusetts.
Solitary Forms
Hogan Brown has been working with Arcadia Contemporary for two and half years and is excited to be featured in his first solo show at the gallery. He doesn't take for granted the many talented figurative painters Arcadia represents and is thrilled to be among them.
Living the Dream
Counterintuitively, David Gluck was a painter before taking up tattooing little more than a decade ago. While skin is a completely different substrate and ink a far cry from oil paint, the skills must be transferrable to some degree because there is a wait-time of nine months to get an appointment with him.