His work is an honest portray of the world, derived from reality as well as from his imagination and experiences. The scenes are not limited to one place, but often reflect slices of life that are moments relatable to everyone.
Smallwood, who goes by P. Smallwood for his art, grew up in Massachusetts and embarked on another career before turning to art at age 38. It was then he took his first watercolor course, followed up by workshops and classes from other artists. His main art education, however, was through his personal development with the unforgiving medium.
“Because I’m primarily self-taught, I don’t have the traditional watercolor bag of tricks,” says Smallwood, who explains he is able to get crisp lines and bolder colours by working on the drier side of watercolor rather than wet into wet. He adds, “It’s almost going at it like an oil painter would approach the medium. A lot of that is because I found my own way through this journey. I’m thankful because it differentiates my work from a lot of others that I don’t have the traditional watercolor approach.”
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FULL EXPOSURE
Photographer Conor Martin documents the present using photographic methods of the past.
Autumnal Light
The landscapes and nature scenes of painter Jennifer Sowders are irresistibly tactile, filled with varying textures that seem to leap off the canvas.
Art for All
Members of Art Dealers Association of America come together for a philanthropic affair.
Modern Marketplace
Redwood Art Group brings together the San Diego region for another class-act celebration of contemporary artwork.
An Enchanting Evening
Scottsdale Artistsâ School knows how to throw an art party.
Timeless Tales
Soft, warm undertones underscore the mood of enchantment that runs through Nom Kinnear Kingâs paintings.
Next Exit New York
Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nashâs sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesnât consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
Monster Mash
Vampires, witches, ghouls and all things that go bump in the night are the theme of the exhibition Monster Mash, now at Abend Gallery.
Inside/Outside
Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
Bold Figures; Bold Color
For Brooklyn based painter J Louis, itâs all about balance, which can mean many different things in a composition, but for Louis, itâs about balancing his female figures among a unique landscape of color.