Resisting the Apocalypse
Art India|July 2020
Prabhakar Pachpute’s works combine an activist’s anger with a romantic’s despair, states Rita Datta.
- Rita Datta
Resisting the Apocalypse

Where it’s night all day, and a disorienting maze of dimly-lit tunnels robs men of their identity and beasts of their sturdy resilience. Where, as Tagore poignantly expresses in Raktakarabi (Red Oleanders), miners are reduced to nameless numbers and letters. There, in the sunless dungeons of coal mines, Prabhakar Pachpute’s art is fired.

Born and raised in a region of coal mines and cotton fields in Maharashtra, Pachpute has seen up close how dehumanizing mining can be, how it violates the earth and poisons the air and forces farming communities to migrate to other livelihoods and lives elsewhere.

It’s hardly surprising, therefore, that Pachpute’s imagery has the palpable simmer of an activist’s anger and a romantic’s despair over loss of nature’s wealth and man’s humanity, of the traditional bonding of earth and hearth that accompanied the geographic anchoring of cultures, of the past and of memory.

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この蚘事は Art India の July 2020 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、9,000 以䞊の雑誌や新聞にアクセスしおください。

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