We Chat to the Children’s Illustrator to Find Out How She Creates Books and Her Mission to Inspire People of All Ages to Get Creative With Words and Images.
You’re currently writer-illustrator in residence for reading charity the Book Trust. What does this involve?
It’s not all that different from my regular blogging, except the Book Trust bigs it up, which is great. I usually blog more erratically but the commission makes me write regularly about the process of making pictures and storytelling. The charity also invites me to events, so I get to meet my illustration heroes, such as Judith Kerr and Raymond Briggs.
You do lots of video tuition and activities to get children drawing and telling stories. Do you think it’s important that young people are creative?
Yes. But I think it’s just as important to help parents, teachers and older siblings understand how they can inspire kids. It can be as simple as having lots of paper and materials to hand. When children see grown-ups drawing and having fun with pictures, they are much more likely to jump in, too. Sometimes, it is also helpful to show adults simpler ways of drawing and visual storytelling that don’t make them feel they have to beat themselves up over every slip of the pencil. Mistakes can be inspiring.
この記事は Artists & Illustrators の July 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Artists & Illustrators の July 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration