The studio has been a second home for Ania Hobson of late. The talented young portrait painter is currently preparing for her first London solo exhibition and the deadline is looming. “I’ve been in here pretty much all week, from 8am to 5pm, and I’ll be standing all day,” she says. “It’s really intense, I think I’ve made myself ill a few times.”
Of course, you’d never tell from the bright, breezy way in which Ania recounts all of this. If she is stressed, it doesn’t show. She works at Asylum Studios in Suffolk, a co-operative based at the former RAF Bentwaters. Her own space is tidy, high-ceilinged and filled with plants. “I love the space so much, I just want to make it like my home because I spend a lot of time there. It’s the one place where I’ll go even if I’m not doing much painting, and I’ll relax there. It’s nice to look at your own work and take it all in.”
The downside to being bound to the studio seven days a week, she says, is that it makes it harder to come up with ideas for new paintings.
“You almost hit a point where you get… Not a painter’s block, but you need to feel things and experience things, so it is really good to take a step back, go outside. You don’t even have to be researching, it could just be going for a walk or seeing your friends and new ideas will pop up.”
この記事は Artists & Illustrators の May 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Artists & Illustrators の May 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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