Whether you are a beginner or have been interested in art for a period of time, below are seven principles, skills and philosophies that, if followed, will make you a more accomplished realist painter.
I guess there’s only one caveat here: that the responsibility for putting these principles into practice is down to you. There is no “silver bullet” when it comes to painting; it will make demands of you and you will find it difficult. However, if you enjoy the act and if you put in the hours over a period of time, then there is nothing stopping you creating wonderful art. While this piece has been written from the perspective of painting from photographs, many of the principles can be equally applied to working directly from life.
1. STATE YOUR INTENT
At the beginning of each painting, write down a very short statement of intent: one or two sentences about what you want your artwork to say and do. This will give you clarity and help you to avoid the creative cul-de-sacs that many painters find themselves drawn down.
Think about how you want to work. Most paintings, regardless of their originality, are in some way attached to a genre or style. Do you want to be a photorealist? An impressionist? An expressionist or work in a traditional academic style?
It’s also worth thinking hard about how your painting will be interesting and engaging to other people when they see it. Good art is packed with emotion; it tells honest stories from the artist’s own experience. People will want to see your story, your observations and your experiences interpreted in paint, so write them down first to give you a focal point when creating.
2. LEARN HOW TO LOOK
ãã®èšäºã¯ Artists & Illustrators ã® June 2021 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Artists & Illustrators ã® June 2021 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academyâs ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this monthâs focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauldâs forthcoming landmark display of the troubled Dutch masterâs self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in Londonâs West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration