Artist HASHIM AKIB explains the pros and cons of different acrylics
Acrylics come in various consistencies from ink, fluid and spray to soft/smooth and heavy body. These allow for translucent washes, seamless blending, highly detailed work or thickness for impasto effects. Basic-, student- and artist-quality paints are available to suit budgets. Basic and student acrylic contains more binder, while the more expensive artist quality contains more pigment meaning colours are purer, more vibrant and opaque, so less layering is required. An artist-quality smooth or heavy-body yellow paint will spark to life against a dark background.
MIX IT UP
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Still life IN 3 HOURS
Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn
Movement in composition
Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement
Shane Berkery
The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio
The Working Artist
Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work
Washes AND GLAZES
Art Academyâs ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING
Hands
LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this monthâs focus is on capturing hands
Vincent van Gogh
To celebrate The Courtauldâs forthcoming landmark display of the troubled Dutch masterâs self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display
BRING THE drama
Join international watercolour maestro ALVARO CASTAGNET in Londonâs West End to paint a dramatic street scene
Serena Rowe
The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall
Bill Jacklin
Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration