Reflection & Movement
Artists & Illustrators|July 2018

With this serene watercolour of a swan, ROB DUDLEY explains how you can capture the beauty and energy of the natural world

Reflection & Movement

Although one might think that since this painting is a simple study of a single swan, little, if any, thought would have gone into the design, but that would be wrong. The painting’s format, the placement of the swan within the picture, tone and colour – all the considerations that an artist would give to a more finished work apply equally to smaller-scale paintings. The study is not merely about the swan, it’s also about the reflection and the movement within the water. Therefore I chose a rather narrow portrait format that would amplify the swan, particularly its neck and its reflection, but would also allow room to include the wake. www.moortoseaarts.co.uk

1 DRAW AND MASK After transferring the drawing from the tracing to the stretched watercolour paper, reserve the swan and its reflection with masking fluid using the nylon masking brush. Let it dry naturally. It is worth noting that if masking fluid ends up in the wrong place within the painting, avoid rubbing at it straight away with a finger or kitchen paper, as this can damage the paper’s surface, making it almost impossible to paint. Let it dry and then carefully remove by gently rubbing with a finger or Maskaway eraser.

この蚘事は Artists & Illustrators の July 2018 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、9,000 以䞊の雑誌や新聞にアクセスしおください。

この蚘事は Artists & Illustrators の July 2018 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、9,000 以䞊の雑誌や新聞にアクセスしおください。

ARTISTS & ILLUSTRATORSのその他の蚘事すべお衚瀺
Still life IN 3 HOURS
Artists & Illustrators

Still life IN 3 HOURS

Former BP Portrait Award runner-up FELICIA FORTE guides you through a simple, structured approach to painting alla prima that tackles dark, average and light colours in turn

time-read
5 分  |
March 2022
Movement in composition
Artists & Illustrators

Movement in composition

Through an analysis of three masterworks, landscape painter and noted author MITCHELL ALBALA shows how you can animate landscape composition with movement

time-read
6 分  |
March 2022
Shane Berkery
Artists & Illustrators

Shane Berkery

The Irish-Japanese artist talks to REBECCA BRADBURY about the innovative concepts and original colour combinations he brings to his figurative oil paintings from his Dublin garden studio

time-read
7 分  |
March 2022
The Working Artist
Artists & Illustrators

The Working Artist

Something old, something new... Our columnist LAURA BOSWELL has expert advice for balancing fresh ideas with completing half-finished work

time-read
2 分  |
March 2022
Washes AND GLAZES
Artists & Illustrators

Washes AND GLAZES

Art Academy’s ROB PEPPER introduces an in-depth guide to incorporating various techniques into your next masterpiece. Artwork by STAN MILLER, CHRIS ROBINSON and MICHELE ILLING

time-read
7 分  |
March 2022
Hands
Artists & Illustrators

Hands

LAURA SMITH continues her new four-part series, which encourages you to draw elements of old master paintings, and this month’s focus is on capturing hands

time-read
7 分  |
March 2022
Vincent van Gogh
Artists & Illustrators

Vincent van Gogh

To celebrate The Courtauld’s forthcoming landmark display of the troubled Dutch master’s self-portraits, STEVE PILL looks at the stories behind 10 of the most dramatic works on display

time-read
6 分  |
March 2022
BRING THE drama
Artists & Illustrators

BRING THE drama

Join international watercolour maestro ALVARO CASTAGNET in London’s West End to paint a dramatic street scene

time-read
7 分  |
March 2022
Serena Rowe
Artists & Illustrators

Serena Rowe

The Scottish painter tells STEVE PILL why time is precious, why emotional responses to colour are useful, and how she finds focus every day with the help of her studio wall

time-read
8 分  |
March 2022
Bill Jacklin
Artists & Illustrators

Bill Jacklin

Chatting over Zoom as he recovers from appendicitis, the Royal Academician tells STEVE PILL about classic scrapes in New York and his recent experiments with illustration

time-read
8 分  |
March 2022