Being in Touch

An earth architect introspects on why earth as a renewable material is not only a possible solution to current unsustainable construction trends but also a tactile show of respect to the ecosystem

- Swati Negi

Walking barefoot through the moist trails of Sal forest, I would often encounter majestic termite mounds reminiscent of Gaudi’s cathedrals. A particular spot along the trail offered the most sensual tactile experience. Sore feet having traversed muck and gravel would enjoy the luxury of passing through cool moist grass onto a soft clayey pad perfect for wriggling the toes and doodling in mud. In contrast, warm boulders formed a perfect refuge to sit and observe the sunset and watch the sunlight dance on the termite mounds.

These sculptural structures rising above the ground have always been my muse. The collective consciousness of a community of earthlings giving birth to gravity-defying pieces of art with just one element – Earth. Be it the van Gujjars dwellings in the forest, kingdoms on remote mountain tops, humble abode in the desert, a palace along the coast, or a swallow’s nest; the earth is the most democratically available resource with endless possibilities.

My journey as an earth architect consisted of years of travel through remote Himalayan villages, where architecture is not a privilege of the elite but an integral part of the cultural expression, where carpenters and masons are not looked at as daily-wage workers; they are revered for their artistic skills. They are the torchbearers of traditional wisdom. Untouched by industrialization, prosperity is reflected in the amount of time and effort invested in a task rather than money.