Discovering Auckland’s mood in graffiti with a walk down K-Road gives a colourful recap of the city’s past few decades
As a travel writer, a measured pace of discovery when visiting a new town is hardly a virtue I can tout. Instead, I cannot wait to be let in on the local scene – be it food, music, hippest pubs, most-legged hikes, or places that only discerning travellers frequent without a worry of holidaying hordes. The only way to speed up deciphering the true character of a city is to latch on to a local who calls it his or her home.
Fortunately for me, when I arrived in Auckland, I met Paul Walsh, a graffiti artist who agreed to walk down the oldest thoroughfare in the city – Karangahape, or simply K-Road. The two-hour stroll revealed an unpretentious city, honest to its muddled Polynesian heritage that has been overtaken by the rapid march of development. But one that hasn’t lost its striking character. Our prism was the unsaid graffiti-hood of Auckland – K-Road – a colourful recap of the city’s past few decades.
We met at the St. Kevin’s Arcade on Karangahape Road, a seemingly innocuous start to the walk. I was expecting a dingy street with a decided ramshackle seediness about it, but the arcade was an insipid building with modest restaurants, pharmacies and tailoring shops. It was only when we walked down to the steps of the basement that the foot-to-ceiling wall of bold colours excited the eyes. Paul explained that the genesis of Auckland’s graffiti scene was never wedged in the dark anguished backdrop that melded with the hip-hop culture of the 1980s. It was simply the voice of a few artists in tight groups who moored their artistic expression on these walls. The relationship between the city, the artists and the breed of taggers that comes in the wake of graffiti has had its ups and downs. ‘Taggers’, he explained, ‘are an incorrigible bunch of youngsters who deface the graffiti by writing or scratching on it’. The relationship of both illegal activities is a tenuous one.
ãã®èšäºã¯ Arts Illustrated ã® June - July 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Arts Illustrated ã® June - July 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
A Sky Full Of Thoughts
Artist James Turrellâs âTwilight Epiphany Skyspaceâ brings together the many nuances of architecture, time, space, light and music in a profound experience that blurs boundaries and lets one roam free within their own minds
We Are Looking into It
Swiss-based artists Jojakim Cortis and Adrian Sonderegger talk to us about the evolving meaning and purpose of photography and the many perspectives it lends to history
Cracked Wide Open
Building one of the worldâs largest domes was no mean task for anyone, let alone an amateur goldsmith, so how did Filippo Brunelleschi accomplish building not one, but two of them?
In Search of a Witness
In conversation with legendary artist Arpana Caur on all things epiphanic, on all things pandemic, and on all things artistic
Where the Shadows Speak
The founder of Sarmaya Arts Foundation takes us through the bylanes of his journey with Sindhe Chidambara Rao, the custodian of the ancient art form of shadow puppetry â Tholu Bommalata
Bodies in Motion
What happens to the memory of a revelatory experience when it is re-watched through the frames of a screen? It somehow makes the edges sharper and the focal point clearer, as we discover through Chandralekhaâs iconic Sharira
Faces in the Water
As physical âmasksâ become part of our life, we take a look at artists working with different aspects of âfacesâ and the things that lurk beneath the surface.
A Meeting at the Threshold
The immortal actor exemplified all that is admirable about his profession, from his creative choices to his work philosophy, and his passing was a low blow. This is our tribute to the prince among stars â Irrfan
The Imperfect Layout To The Imperfect Mystery
Jane De Suzaâs âThe Spy Who Lost Her Headâ doesnât feature a protagonist with superhuman skills of deduction, nor a plot that fits together like a jigsaw puzzle. Here, quirks and imperfections are pushed into the spotlight
Free and Flawed
Greta Gerwig revitalises the literary classic, Little Women, highlighting the literary journey of its temperamental and wonderfully flawed female protagonist, Jo March