The Union Of The West And East
Creative Gaga|Issue 46

Palehorse, an illustrator from the US is highly influenced by the Indian mythology and Gods, which is reflected in his art. From creating abstract manifestations of Ganesha to showcasing glimpses of Ramayana, his work has a cultural connection, with an alliance of traditional folklore.

The Union Of The West And East

A digital illustrator and fine artist from Petersburg, USA, Palehorse, an artist who is deeply connected to spirituality, it translates onto his work which comprises of screen-printed gig posters, skate decks, T-shirts and gallery artwork. Highly influenced by Southeast Asian and Latin cultures, the art he creates is also refined by his travels, mythology and spiritual practices.

CG. Where are you from and what kind of work do you do?

Palehorse. I’m a professional illustrator and spiritual seeker with a studio in St. Petersburg, USA. After graduation, I began my career as a graphic artist and opened a collective studio space, with a tattoo artist. In addition to tattoo art, underground punk music, straight-edge hardcore and skateboarding also played a significant role in the style of work I connect with.

CG. Your work has abstract adaptations of Gods and deities. What is the story behind that?

Palehorse. In 2007, I embarked on a trip to Thailand, where I explored some magnificent temples and it was there that I received a visual introduction to Eastern spirituality and Ramayana through the ornately decorated murals and icons all over Bangkok. After these experiences, I decided to work with traditional design elements specific to Thailand, combined with Indian themes, Tibetan symbols and a touch of Balinese influence as a basis for my style.

CG. What fascinates you the most about Indian mythology?

この記事は Creative Gaga の Issue 46 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

この記事は Creative Gaga の Issue 46 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

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