James Bama, Mort Künstler, and Jack Faragasso created magic on film before turning photos into illustrated art. But for the majority of illustrators, especially on the East Coast, there was only one ‘go-to’ guy who captured what was in their head on film. That was Robert Osonitsch.
Self-taught, born in Bushwick, New York, Osonitsch went to a trade school and was a member of the Society of Illustrators. He had a studio in a five-story building that he owned in Manhattan (at 112 4th Ave.) for more than 50 years. Within the building were two high ceiling studios on the fifth floor. Osonitsch shot in the back studio and rented out the front for illustrators who did their own photography, like James Bama and others. Filled with props, and constantly bustling with activity, Osonitsch shot Holland as a cowboy, a criminal, and many popular characters like Doc Savage and Fargo. A fire in 1981 destroyed all of his photos and negatives. He rebuilt the studio and reopened it again in 1982. He owned the building until he died.
Amy Sgouros, one of his seven children, remembers his studio constantly being busy with sessions back to back all day. Douglas, his youngest son, recalled that whenever he needed a child for a session, he’d just grab one of his kids. Osonitsch also shot the majority of cover photos of Fabio, along with countless other models and celebrities.
この記事は Illustration の Illustration No. 73 版に掲載されています。
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この記事は Illustration の Illustration No. 73 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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THE ART OF FRANK MCCARTHY
Witnessing a Wild West show as a young boy was a crucial early influence that led Frank McCarthy to become a distinguished painter of Western historical themes. The excitement and emotion he felt that day stayed with him, and can be seen in the vivid action, color, and splendor that emanate from his paintings.
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Ward Brackett (April 2, 1914–December 14, 2006) was a gifted American illustrator, known for his work in paperback books and periodicals such as Reader’s Digest and Cosmopolitan.
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For over 25 years, N.C. Wyeth was regarded as the foremost illustrator of books and magazines in the United States. His artwork for iconic tales of romance and adventure has become synonymous with the stories themselves, familiar to multiple generations of readers. Some of the best-known characters in literature have become nearly indistinguishable from the images he produced.
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\"We have some artists in the family.\" I didn't know it at the time, but my future father-in-law Aiden E. LaSalle was a master of understatement.
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Raymond Sven (Ray) Johnson was a commercial illustrator who created iconic paperback book covers spanning all genres of fiction for Avon, Popular Library, Monarch and other publishers from the late 1940s through the early 1960s.
"Blow some my way"
THE DELINEATION OF DESIRE IN 1920s COMMERCIAL ILLUSTRATION
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