Solutions created by Mãori at the margins offer the basis for imagining possibilities that challenge how mainstream society is organised. In one such culture-centered intervention developed by Whãnau [extended family] in Feilding, preventing further ancestral land loss and protecting the river from neoliberal local government extractions are seen as a way for sustaining life and livelihood.
An advisory group of Whãnau participants in Feilding note the continual erasure of their voices as the key challenge to overcome, noting the construction of a stopbank on the remaining acres of ancestral land.
The construction violated the sovereignty of the Whãnau, challenged the health and wellbeing of members, and erased them by not engaging them in participatory processes. Against this backdrop, the advisory group supported wider Whãnau members and their decision to occupy the land on the banks of the river, at the sites of the construction, to disrupt the erasure and to stop the illegal development.
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Perils Of Nuclear Energy
Addressing negative consequences of nuclear tests for the environment and human health in the areas around these sites, pointing the finger at the Soviet and current governments, âThis is Silenceâ highlights one of the main points that the artist seeks to stress: the absence of public discussion about critical issues.
Greta Thunberg. It Is Time To Rebel!
Student, activist and initiater of âThe Greta Effectâ
THEATRE UNDER PRESSURE.
The facts [some of it] about Climate Change are out there. With a few articles and videos, anyone can know that Climate Change is serious and needs immediate attention. Yet, we continue living our lives at the cost of the planet. With so much awareness, why are we not moving towards climate action and justice? How can our collective consciousness be pricked? Can we use the theatre to tell the story of the tree that I was looking at? Can we understand climate change from the aerial view of the parrot? Can we reflect on how much plastic waste we generate every day? With these questions, we set out to explore how theatre can talk about climate change.
WHERE TIGERS ARE HAPPY!
Initiated by the Sanctuary Nature Foundation, âKids for Tigersâ is an inspiring project that educates schoolchildren about the welfare of wild animals. Spearheading this program, is Govardhan Meena, a sensitive village boy who grew up to be a saviour of tigers, of forest land and their inhabitants. Born in 1980 to a Meena tribal family living on the outskirts of Ranthambhore, Rajasthan, the unassuming young man is a virtual Pied Piper for children learning about the environment. He works 24x7 with a single-mindedness, building bridges between people and parks. No wonder, the awards and certificates in his prized possession, are more than deserving for a man whose life is dedicated to helping village children seed bonds with natureâs wilderness.
DANCE LIKE A MAN!
Dancer, choreographer and actor, Revanta Sarabhai, the third generation of a famed family of classical Indian dance, believes the arts have a way of reaching out to people in an entirely different way than scientific data or information does; that performance tends to have a greater emotional and empathetic impact on peopleâs senses rather than only their rational brain. Believing that the arts have a tremendous role to play in championing the cause of climate change [or any major challenge human beings face globally], he urges artists to harness the power of the arts to create change. With this conviction, Sarabhai shares with us his conceptual performance questioning climate change.
DANCE OF THE ACTION BRIGADE
When a dancer is concerned about climate change issues there is a strong potential to nudge the emotions of viewers in a way that can impact an audience sometimes more quickly than an entire thesis on the subject.
CELEBRATING THE WILDERNESS
âHumanity can no longer stand by in silence while our wildlife and nature are being used, abused, and exploited.
THEATRE SALUTES THE ENVIRONMENT
Theatres evolve to reconnect us to each other and the environment
FROM TRASH TO TREASURE
Veena Sahajwalla is a whirlwind of ideas and energy, determined to tackle the mountain of waste, especially -waste generated by Australians every year. Recycling waste into âgreen steelâ and âgreen ceramicsâ is the result of years of experimentation at UNSW [University Of New South Wales, Sydney]. Director of the UNSW Sydney SMaRT Centre and a Eureka Prize winner [considered the pinnacle of scientific achievement in ustralia], Professor Sahajwalla was also awarded the PLuS Alliance prize for innovation in 2017.
BITTU SAHGALSEEKING SANCTUARY
In kinship with wildlife, with nature, with the air we breathe Bittu Sahgal shares his lifetimeâs camaraderie with the environment