After many years spent sharing his knowledge with students at some of the country’s top design schools, Chandra Vijai Singh is now in the process of setting up his own furniture studio
The NID influence
What made me choose design as a career? I had drawing and painting as a subject at school, Mayo College, which had a strong Fine Arts department. Another creative aspect which began to emerge was drawing cartoons. This was also the time when I developed an interest in the work done in the school’s wood and metal workshop. By the time I finished school, NID had started its under graduate program and my painting teacher Mr. Penkar advised me to apply to the institute as design had wider scope than fine arts.
When I joined NID, the craft of block printing was reemerging in Jaipur, my hometown. Some people I knew were setting up block printing units and so I was advised to pursue textile design. However, during the foundation year my interest in textile design began to wane. Graphics and Furniture Design began to look interesting. As creating something in three dimensions was very appealing, I chose Furniture Design as a specialization. Geometric understanding helped me to think in three dimensions. What gave me the best results and most satisfaction was designing and making folding furniture, as one not only had to understand the kinetics and design, one had to make a prototype too. Having good workshop skills helped in making prototypes of good quality.
The foundation program at NID was critical; not only did it hone our skills, it made us learn to think and look at things from a different point of view. We had to design the products, and make their prototypes too. Courses in Form and Geometry made one very versatile and the conceptual thinking courses in the foundation year broadened our thinking. When designing furniture the hardware too had to be designed and made. One developed the confidence to handle materials, machines and tools along with demonstrating them when needed. This helped me build a good rapport with workers and craftsmen in later years.
この記事は POOL の POOL 85 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は POOL の POOL 85 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
A Legacy Continues
Leveraging the success of his family's export business, Naman Jain is focusing on creating a retail presence in India
Creating KAIRA
Long fascinated by Indian fabric, Nikita Gupta has launched an attractive line of contemporary apparel in traditional block prints
Stories faces tell
Aditya Narula dabbled in various vocations before he realized portraiture was the best way to express the fascinating complexities of the people he encountered along the way
time tested DESIGN
Surrounded by art and architecture as a child, Sarah Sham went on to take the family antiques business in a new direction through her interior design venture
DANGEROUSLY DELICATE
Kavya Potluri's attention to minute detail is what sets her intricate and unconventional jewelry apart
music as muse
A multidisplinary visual artist, Aaron Pinto, also known as Kidsquidy, has had an interesting journey that started with MTV and has him now working on everything from music videos to stage design
DEVELOPING A DISCOURSE
Documentary photographer Taha Ahmad believes his work has a greater purpose than merely being admired by a select audience for its esthetic value. It's when people are able to see the underside of society and understand the prevailing social injustice that the work tries to reveal that it is truly worthwhile.
Tiny little Stories
Creating miniature worlds allows Ruchika Nambiar to continue to play childlike games of make-believe
The Richness Of Handmade
Amit Vijaya and Richard Pandav are committed to bringing together many hands and hearts through their clothing label ‘amrich’
The perfect balance
Aniruddh Mehta is as much graphic designer as visual artist, and he tries to do justice to both through his work at Studio Bigfat