The Drive To Design
POOL|POOL 86

As Head of Design for Tata Motors, Pratap Bose leads a large team across three global design studios. His attempts to bring synergy between the three have enabled the Indian automotive giant to introduce a range of passenger and commercial vehicles that aspire to compete in the global arena.

The Drive To Design
When did you discover your passion for automobiles?

PB: While I was always drawing cars in my text books and journals, my earliest introduction to automotive design was when I saw this beautiful blue Mercedes 280 SEL outside the Taj Mahal Palace Hotel in Mumbai. It was a very powerful image and I realized that someone must have designed the car – it was so well thought out in every detail that it couldn’t just be a random exercise of putting things together. I had to find out if there was a vocation that allowed you to do this! This led me to discover NID, which was an important part of building my base on anything related to design.

Tell us about your early days in the field.

PB: I graduated in product design, as in the ’90s there wasn’t yet a specialized course in transportation design. However, I did some projects, including my final thesis, on car design. After I graduated from NID I was lucky to get the chance to do a short stint at Piaggio in Italy. Before I knew it, six months turned into three years.

I had learned how transportation design works and fits in a large company, but I still wanted a formal education in car design. So, I decided to pursue a Master’s in Vehicle Design at the Royal College of Art (RCA) in London. At RCA, I learnt about the technique and the science behind the art.

Once I graduated from RCA in 2004, I accepted an offer to move to Japan and work with Mitsubishi Motors. From 2005 to 2007 I worked with Mercedes Benz, at their Advanced Design Center in Yokohama. Working in Japan for four years was an incredible experience, an absolute gamechanger. This was the real world and a real job, and I was putting to practice all the passion and training I had gained. And to be a part of Mercedes Benz, after seeing that 280 SEL in Mumbai all those years ago, was very special.

この記事は POOL の POOL 86 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

この記事は POOL の POOL 86 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

POOLのその他の記事すべて表示
A Legacy Continues
Designindia

A Legacy Continues

Leveraging the success of his family's export business, Naman Jain is focusing on creating a retail presence in India

time-read
5 分  |
Designindia 143
Creating KAIRA
Designindia

Creating KAIRA

Long fascinated by Indian fabric, Nikita Gupta has launched an attractive line of contemporary apparel in traditional block prints

time-read
4 分  |
Designindia 143
Stories faces tell
Designindia

Stories faces tell

Aditya Narula dabbled in various vocations before he realized portraiture was the best way to express the fascinating complexities of the people he encountered along the way

time-read
6 分  |
Designindia 143
time tested DESIGN
Designindia

time tested DESIGN

Surrounded by art and architecture as a child, Sarah Sham went on to take the family antiques business in a new direction through her interior design venture

time-read
3 分  |
Designindia 143
DANGEROUSLY DELICATE
Designindia

DANGEROUSLY DELICATE

Kavya Potluri's attention to minute detail is what sets her intricate and unconventional jewelry apart

time-read
5 分  |
Designindia 143
music as muse
Designindia

music as muse

A multidisplinary visual artist, Aaron Pinto, also known as Kidsquidy, has had an interesting journey that started with MTV and has him now working on everything from music videos to stage design

time-read
8 分  |
Designindia 143
DEVELOPING A DISCOURSE
Designindia

DEVELOPING A DISCOURSE

Documentary photographer Taha Ahmad believes his work has a greater purpose than merely being admired by a select audience for its esthetic value. It's when people are able to see the underside of society and understand the prevailing social injustice that the work tries to reveal that it is truly worthwhile.

time-read
10+ 分  |
Designindia 143
Tiny little Stories
Designindia

Tiny little Stories

Creating miniature worlds allows Ruchika Nambiar to continue to play childlike games of make-believe

time-read
8 分  |
Designindia 143
The Richness Of Handmade
Designindia

The Richness Of Handmade

Amit Vijaya and Richard Pandav are committed to bringing together many hands and hearts through their clothing label ‘amrich’

time-read
6 分  |
Designindia 114
The perfect balance
Designindia

The perfect balance

Aniruddh Mehta is as much graphic designer as visual artist, and he tries to do justice to both through his work at Studio Bigfat

time-read
5 分  |
Designindia 114