With a 60fps full-resolution burst mode, plus a new autofocus system and sensor, Olympus’s new CSC promises a great deal
Olympus has played two aces with the E-M1 II. Its 60fps burst mode is a spectacular leap forward in high-speed shooting, and even though you have to step down to 18fps to get focus tracking with moving subjects, that’s still a poke in the eye for heavier, more expensive – and slower – pro-level DSLRs such as the Canon EOs-1d X II and the nikon d5.
This camera’s other party trick is its new all-phase-detection auto focus system – designed to prove that mirror less cameras can match DSLRs for tracking moving subjects. The AF system uses 121 on-sensor phase detection AF points arranged in a rectangular array that covers a much larger area of the frame (80% of the frame width, 75% of the frame height) than regular DSLRs systems.
But let’s get back to that continuous shooting capability. The bald fact is the E-M1 II can shoot full-resolution, uncropped 20-megapixel images at 60 frames per second, and it can keep this up for 48 frames (raw or JPEG) – long enough to be much more likely of capturing a key frame than a regular DSLRs. and if you’re not sure that your reactions will be quick enough, there’s a Pro Capture mode that starts buffering frames as soon as you half-press the shutter release, so that when you press it the rest of the way you capture not just frames from that point on, but the preceding 14 frames too.
All this happens using the OM-d M1 Mark II’s silent shutter mode. It has to lock focus and exposure at the first frame, but it’s designed to be used where the point at which the action will occur can be framed up in advance.
この記事は Photography week の February 16 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Photography week の February 16 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
CALIBRATE YOUR COLOURS
James Paterson reveals how he captures stunningly colourful sunsets by using this secret weapon
ABSTRACT PORTRAITS
Mike Harris shows you how to use slow shutter speeds and multiple exposures to capture a series of motion-blur portraits
BREATHTAKNG IMAGES FROM ABOVE AND BELOW THE WAVES
A final hit of inspiraton: Ocean Photographer of the Year reveals stunning winning photos
THE ULTIMATE GUIDE TO AUTUMN
James Abbott reveals the secrets to capturing amazing images during the most eye-catching season of the year
CANON UNVEILS NEW PORTABLE, FULLY-WIRELESS PHOTO PRINTER
The Selphy QX20 is ideal for quickly printing your smartphone snaps on the go
FUJINON GF120MM F4 MACRO R LM OIS WR
This powerful medium-format lens is ideally suited to extreme close-ups
HOW TO...CLEAN UP A SCENE WITH AI
James Paterson shows you how the AI-powered Remove Tool can revolutionise your retouching
SHOOT AN '80S PORTRAIT
Jason Parnell-Brookes recreates the neon look of the 1980s using torches and hollow acrylic rods
THE BEST MONOCHROME IMAGE OF 2024 IS A REAL CRACKER
Black and White Photo Awards announces stunning selection of winning images
88 TIPS FOR GREAT BABY PHOTOS
From lighting to posing and pacifying, here's how you get the perfect shot