I AM sitting in a faded-green lawn chair on the patio behind a rented house in the desert of Twentynine Palms, California. I’m here on a two-week writing and hiking retreat with my friend, the writer Jo Ann Beard.
The plan is simple: Each day we write for a few hours in the morning, eat lunch and rest, then in the late afternoon we drive to Joshua Tree National Park and hike until dinnertime.
It’s the beginning of the day and I’ve come out to the patio to sit and look for a few minutes. I love everything about this bright, open, wind-swept place: the dazzling light laying its hands on the sand all around me, the tan landscape dotted with cactus, the deep-green oleander growing beside the house, the small shadows cast by dips in the sand. As I sit here I notice the air is filled with a low, steady buzzing: the zzzz of a fly, the murmur of the big Italian bumble bee that circles the acacia tree, and, for the briefest moment, the deep vibrating whir of a green hummingbird hovering above a cactus. The wind is soughing across the desert, and a plane is droning high in the sky. One of the mourning doves that lives in the tree in front of the house lets out a cry as it perches on the telephone wire. In this moment, I breathe deep and feel nothing but happiness.
Then I take out my cell phone and see that I have a new e-mail message. It’s from the agent who’s been considering my book for three months.
I read the message without taking a breath. It’s a very kind rejection, praising my book, saying that there’s just one little editorial issue involving maybe too much of something that to me is the whole point, that she’s not confident she could sell it because it’s a memoir, that she’s having a hard time selling another memoir by someone well known and successful, that two other memoirs she sold aren’t getting any attention. It goes on, but the resounding answer is no.
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
THE MEUSEUM OF HUMAN HISTORY
READING The Museum of Human History felt like listening to a great harmonic hum. After I finished it I found the hum lingering in my ears. Its echo continued for days.
The Sea Elephants
SHASTRI Akella's poised, elegant debut, The Sea Elephants, is a bildungsroman of a young man who joins a street theater group in India after fleeing his father's violent disapproval, the death of his twin sisters, and his mother's unfathomable grief.
The History of a Difficult Child
MIHRET Sibhat's debut novel begins with God dumping rain on a small Ethiopian town as though. He were mad at somebody.
The Sorrows of Others
AS I read each story in Ada Zhangâs brilliant collection, The Sorrows of Others, within the first few paragraphsâ sometimes the first few sentencesâ I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
We Are a Haunting
TYRIEK Whiteâs debut novel, We Are a Haunting, strikes me as both a love letter to New York City and a kind of elegy.
RADICAL ATTENTION
IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
The Fine Print
HOW TO READ YOUR BOOK CONTRACT
First
GINA CHUNG'S SEA CHANGE
Blooming how she must
WITH ROOTS IN NATURE WRITING, ENVIRONMENTAL JUSTICE, POETRY, AND PHOTOGRAPHY, CAMILLE T. DUNGY'S NEW BOOK, SOIL: THE STORY OF A BLACK MOTHER'S GARDEN, DELVES INTO THE PERSONAL AND POLITICAL ACT OF CULTIVATING AND DIVERSIFYING A GARDEN OF HERBS, VEGETABLES, FLOWERS, AND OTHER PLANTS IN THE PREDOMINANTLY WHITE COMMUNITY OF FORT COLLINS, COLORADO.