Zakiya Dalila Harris whose debut novel, The Other Black Girl, was published in June by Atria Books.
INTRODUCED BY
Maurice Carlos Ruffin author of two books, including the story collection The Ones Who Don’t Say They Love You, forthcoming in August from One World.
We come to books for the experience of reading stories that reflect our lives and enlarge our understanding of the world. Reading Zakiya Dalila Harris’s The Other Black Girl was a double enjoyment for me. I felt the pleasure of her craft: the clear, tense prose that unfurled a plot about a young woman trying to make her way in publishing. I also felt the pleasure of being seen. I know what it is like to work in the corporate realm with all the office politics, the manipulations, the microaggressions. To see those details laid out with such precision made me feel less crazy. My situation wasn’t a one-off. A talented writer like Harris could help me contextualize experiences that I had deep feelings about but hadn’t been able to explain.
I read so much of The Other Black Girl while holding my breath. There’s a huge amount happening beneath the surface. One of the areas the book explores is gaslighting, that unique form of psychological abuse we’ve all become so familiar with. What made you want to delve into this topic?
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Literary MagNet
When Greg Marshall began writing the essays that would become his memoir, Leg: The Story of a Limb and the Boy Who Grew From It (Abrams Press, June 2023), he wanted to explore growing up in Utah and what he calls \"the oddball occurrences in my oddball family.\" He says, \"I wanted to call the book Long-Term Side Effects of Accutane and pitch it as Six Feet Under meets The Wonder Years.\" But in 2014 he discovered his diagnosis of cerebral palsy, information his family had withheld from him for nearly thirty years, telling him he had \"tight tendons\" in his leg. This revelation shifted the focus of the project, which became an \"investigation into selfhood, uncovering the untold story of my body,\" says Marshall. Irreverent and playful, Leg reckons with disability, illness, queerness, and the process of understanding our families and ourselves.
THE MEUSEUM OF HUMAN HISTORY
READING The Museum of Human History felt like listening to a great harmonic hum. After I finished it I found the hum lingering in my ears. Its echo continued for days.
The Sea Elephants
SHASTRI Akella's poised, elegant debut, The Sea Elephants, is a bildungsroman of a young man who joins a street theater group in India after fleeing his father's violent disapproval, the death of his twin sisters, and his mother's unfathomable grief.
The History of a Difficult Child
MIHRET Sibhat's debut novel begins with God dumping rain on a small Ethiopian town as though. He were mad at somebody.
The Sorrows of Others
AS I read each story in Ada Zhangâs brilliant collection, The Sorrows of Others, within the first few paragraphsâ sometimes the first few sentencesâ I felt I understood the characters intimately and profoundly, such that every choice they made, no matter how radical, ill-advised, or baffling to those around them, seemed inevitable and true to me.
We Are a Haunting
TYRIEK Whiteâs debut novel, We Are a Haunting, strikes me as both a love letter to New York City and a kind of elegy.
RADICAL ATTENTION
IN HER LATEST BOOK, THE LIGHT ROOM: ON ART AND CARE, PUBLISHED BY RIVERHEAD BOOKS IN JULY, KATE ZAMBRENO CELEBRATES THE ETHICAL WORK OF CAREGIVING, THE SMALL JOYS OF ORDINARY LIFE, AND AN ENGAGEMENT WITH THE NATURAL WORLD WITHIN HUMAN SPACES.
The Fine Print
HOW TO READ YOUR BOOK CONTRACT
First
GINA CHUNG'S SEA CHANGE
Blooming how she must
WITH ROOTS IN NATURE WRITING, ENVIRONMENTAL JUSTICE, POETRY, AND PHOTOGRAPHY, CAMILLE T. DUNGY'S NEW BOOK, SOIL: THE STORY OF A BLACK MOTHER'S GARDEN, DELVES INTO THE PERSONAL AND POLITICAL ACT OF CULTIVATING AND DIVERSIFYING A GARDEN OF HERBS, VEGETABLES, FLOWERS, AND OTHER PLANTS IN THE PREDOMINANTLY WHITE COMMUNITY OF FORT COLLINS, COLORADO.
