A Conversation with Agustín del Moral Tejeda.
A gustín del Moral Tejeda was born in Las Choapas, Veracruz, in 1956. An accomplished writer, journalist, editor, translator, and activist, he currently lives and works in Xalapa at the University of Veracruz. He has published two novels, Nuestra alma melancólica en conserva (1997) and Cuéntame lo que me pasa (2009), as well as a work of creative nonfiction, Un Crack Mexicano: Alberto Onofre (2003). For many years he served as director of the university press of Veracruz, a key supporter of literary publication in Mexico. I met with him in his university office in October 2015, and we discussed the roles played by music of the Gulf region (especially son jarocho and rock) in his fiction.
Dolores Flores-Silva: How did the idea of Cuéntame lo que me pasa (Tell me what’s happening to me) start?
Agustín del Moral Tejeda: First, I took on a challenge I set for myself. Before this book, I had published a testimonial autobiographical novel and a biographical chronicle of a soccer player. This means I started, in both cases, with a set of facts that already existed, and my work consisted of giving it all form and structure. The challenge I set for myself with Cuéntame lo que me pasa was to write a book with three long plots that were, basically, fiction, something I didn’t have already at hand to work on. That was a starting point. . . . So I asked myself: What are three things I would have liked to be but did not become?
DFS: So the book has a certain touch of Agustín del Moral’s autobiography.
ADMT: Yes, indeed. With a sense that I wanted to work out in fiction what I couldn’t be in reality. My answer was that I would’ve liked to have been a soccer player, a rock-and-roller, or a revolutionary. Those are the perspectives that fed this book.
ãã®èšäºã¯ World Literature Today ã® September - October 2016 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ World Literature Today ã® September - October 2016 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Our Revenge Will Be the Laughter of Our Children
What is it about the revolutionary that draws our fascinated attention? Whether one calls it the North of Ireland or Northern Ireland, the Troubles continue to haunt the land and those who lived through them.
Turtles
In a field near the Gaza Strip, a missile strike, visions, and onlookers searching for an explanation.
Surviving and Subverting the Totalitarian State: A Tribute to Ismail Kadareby Kapka Kassabova
As part of the ceremony honoring Kadare as the 2020 laureateâwith participants logging in from dozens of countries around the worldâ Kadareâs nominating juror, Kapka Kassabova, offered a video tribute from her home in Scotland.
Dead Storms and Literature's New Horizon: The 2020 Neustadt Prize Lecture
During the Neustadt Prize ceremony on October 21, 2020, David Bellos read the English language version of Kadareâs prize lecture to a worldwide Zoom audience.
Ismail Kadare: Winner of the 2020 Neustadt International Prize for Literature
Due to the Covid-19 pandemic, World Literature Today presented the 2020 Neustadt Festival 100 percent online. In the lead-up to the festival, U.S. Ambassador Yuri Kim officially presented the award to Kadare at a ceremony in Tirana in late August, attended by members of Kadareâs family; Elva Margariti, the Albanian minister of culture; and Besiana Kadare, Albaniaâs ambassador to the United Nations.
How to Adopt a Cat
Hoping battles knowing in this three-act seduction (spoiler alert: thereâs a cat in the story).
Chicken Soup: The Story of a Jewish Family
Chickens, from Bessarabia to New York City, provide a generational through-line in these four vignettes.
Awl
âAwlâ is from a series titled âWords I Did Not Understand.â Through memoryââthe first screen of nostalgiaââand language, a writer pieces together her story of home.
Apocalyptic Scenarios and Inner Worlds
A Conversation with Gloria Susana Esquivel
Marie's Proof of Love
People believe, Marie thinks, even when thereâs no proof. You believe because you imagine. But is imagination enough to live by?