The acclaimed filmmaker on cultivating a world of creativity.
She might be the most generous director of her generation. Ava DuVernay is impossibly busy. Currently, she’s shooting, writing and editing her television series, Queen Sugar, which just had its Season 3 premiere late last month on OWN. Plus, she’s in preproduction for her Netflix mini-series, Central Park Five. And, oh yeah, she’s got another documentary in the works (though she’s not ready to talk about that one yet). Plus, she’s got a few other TV shows cooking—a pilot, Red Line, at CBS, and a comedy reportedly based on Colin Kaepernick’s high school years. There’s also an HBO movie, Battle of Versailles. And then, of course, she’ll helm DC Comics’ New Gods. Did we mention she’s just finished her first stint as a jury member for the Cannes Film Festival? It’s the kind of busy that would overwhelm most people, but even with her chaotic schedule DuVernay always seems to make time to prop up other creators, to inspire young minds, to say thank you and to give someone a kind word even if they haven’t been as kind to her.
It’s a Saturday in early May, and DuVernay is in New York, location scouting for Central Park Five. She’s just finished seeing a play (Kenneth Lonergan’s Lobby Hero) and that evening she’ll accept a Glaad Excellence in Media Award for inter sectional advocacy. Walking back to her hotel room, as we chat on the phone, she is stopped by fans multiple times. She greets each one not with annoyance or arrogance, which could be understood given her schedule and acclaim, but with kindness. Even though she’s pulled the phone away from her face, so that she can take a moment to really listen to people’s stories, her voice carries and a “Thank you, sir” and an “Appreciate it” make it through.
この記事は ADWEEK の June 11, 2018 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は ADWEEK の June 11, 2018 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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