It’s never been easier to whip up great-sounding tracks, particularly if you’re into electronic or heavily sample-based music. Every DAW on the market today ships with an extensive collection of ready-made loops, hits, pads and riffs, not to mention all those bundled synths and samplers. And then, when you’re happy with your mix, there are plenty of truly incredible plugin effects available that can give you a loud, shiny master, sometimes using just one knob.
If you’re an electric guitar or bass player looking to put tracks together in your more rockin’ genre of choice, though, you’re probably more interested in capturing the feeling you get from your treasured collection of amps and pedals being played for real. And things are even more complicated for drummers, acoustic instrumentalists and singers. In short, if you’re an instrumentalist and you’re looking to really capitalise on your talents and training in the production of your own tracks, there’s no avoiding the terrifying world of sound engineering. You know… with microphones.
この記事は Computer Music の October 2021 版に掲載されています。
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この記事は Computer Music の October 2021 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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