Subbass is a music production term typically used to refer to frequencies in the range 20-80Hz – the lowest limit of human hearing. Although many acoustic and electric instruments generate frequencies in this region, sub-bass only really became a usable sonic tool in its own right in the 80s, when the booming kicks of the Roland TR-808 and single-cycle test tones of various Akai samplers became available to dance producers. This resulted in records like LFO’s LFO (bit.ly/1ooH3oo) and JJ Fad’s Supersonic (bit.ly/1sJhyOg).
Subsequently, early DnB tracks like Urban Shakedown’s Some Justice (bit.ly/2Vs7Giv) and Kromozone’s The Rush (bit.ly/2Vqin5e) began to put sub-bass gymnastics center stage, and by the time dubstep rolled around in the early noughties, huge subs were de rigueur. Nowadays, even pop music has to rock the bottom end, so understanding how to get the most out of the sub-80Hz range is an absolute essential for any producer of music.
In this guide to synthesizing sub-bass, we’ll show you how to create awesome bottom-end sounds from scratch and layer them up with complementary mids, and use filtering to generate subs from full-frequency-range sounds. When using this stuff in your music, bear in mind that such an extremely low end is hard to monitor correctly.
Most rooms have a fundamental frequency in the region of 20-200Hz, which has a negative effect on low-end reproduction and makes it hard to judge what your subs are doing. This being the case, we strongly recommend the use of headphones and spectral analysis tools in order to double-check your sound design and mixing choices.
1.Synthesising a basic sub
ãã®èšäºã¯ Computer Music ã® August 2020 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Computer Music ã® August 2020 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Sonuscore The Score $399 PC MAC
The Score comes up with a film soundtrack based on your stylistic choices, but thatâs just the start of it. Andy Jones scores The Score
Baby Audio Humanoid $129 PC MAC
Humanoid brings the âextremeâ and âradicalâ to the world of vocals, but is also one of the easiest plugins to use and abuse, says Andy Jones
The Synth Factory Horizen $129 PC MAC
A synth/sampler that packs in a lot of power at an almost silly price - despite its low profile, Andy Jones gazes at Horizen...
Flow Mastering Suite $15/month PC MAC
Mastering your music just got as easy or as complex as you want. But, Andy Jones asks, is it worth yet another monthly subscription?
Universal Audio LA-6176 $299 PC MAC
UA has bundled three of its classic emulations into one channel strip. Is this analogue dream your ideal plugin team? Andy Jones finds out
Rack'em up...
IK Multimedia has announced a comprehensive update to its mixing and mastering software, T-RackS, that brings some smart mastering additions
FX Collection 5 â¬499
Arturia's huge bundle of effects gets its regular update and it's still easily as essential as the company's V Collection
Make a pulsing bass with GForce Axxess
Get mechanical, with a garage-inspired bass patch, which gets right to the pulsing heart of the Axxess synthesiser
The software that shaped us
Computer Music has had a 25-year history, and over the life of this magazine, the technology behind music production has changed beyond recognition. Here are the products that set the stage for the modern worldâŠ
PERFECT VIRTUAL GUITAR!
Need a great guitar sound, but lacking any guitar-playing contacts, or the skills to play it yourself? Have no fear, your computer is here! With a few pointers, buying advice and hands-on tips, you and your PC or Mac can emulate the greatest guitarists in the worldâŠ