How artist Paul Kane chronicled Indigenous people and landscapes during an epic journey across Canada
“HE DID NOT, HOWEVER, fall, but stopped and faced me, pawing the earth, bellowing and glaring savagely at me. The blood was stream-ing profusely from his mouth, and I thought he would soon drop. The position in which he stood was so fine that I could not resist the desire of making a sketch.”
And sketch Paul Kane did on that June day in 1846, several days’ ride south of present-day Winnipeg, with Métis hunters and thousands of bison thundering around him in a maelstrom of excitement and confusion — even though seconds later the bison he’d just shot would charge, prompting the artist to spring back onto his horse and make a narrow escape.
この記事は Canadian Geographic の September-October 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Canadian Geographic の September-October 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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