Shooting Stars
The Walrus|January/February 2022
Before social media, the backstage snapshot was the only way for most fans to meet Madonna, Whitney Houston, or Paul McCartney
CONNOR GAREL
Shooting Stars

I SHOT QUEEN at Maple Leaf Gardens, in downtown Toronto, in 1982, when I was fourteen. I had brought my uncle’s camera with me only because my cousin said it would be a good idea. It was. The concert hall was packed with fans, and even though I was quite tall for my age — and just five to seven rows back from the stage — I had to stand on my seat to snap the pictures I wanted. I took those images to get processed at the Japan Camera shop that used to be on Yonge Street, and I waited in one of those shops that sells posters to rock-and-roll heads. The guy working the counter had been at the Queen concert too, and when I told him I’d taken pictures, he offered to buy a roll for $150. It was a lot of money for a kid.

And, for the many years after that, shooting live music is what I did.

この記事は The Walrus の January/February 2022 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

この記事は The Walrus の January/February 2022 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

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