Bronwyn’s talent for reaching beyond the conventional has garnered her positive recognition in the bluegrass field. In 2018, she received the Momentum Award from the International Bluegrass Music Association (the band received that award the year prior), and has received accolades from such people as fiddle maestro Darol Anger and Rounder Records co-founder Ken Irwin. In 2014 she won first place in the Walnut Valley Old Time Fiddle Championship in Winfield, Kansas, and in 2015 won first place in the Freshgrass Fiddle Contest.
Growing up in Roxbury, Vermont, Bronywn vaguely remembers her first experience with the violin. “When I was 3 years old, I saw some girls busking on the street with violins. I looked at my dad and told him I wanted to do that, too. No one in my family is very musical, but my parents have always been extremely supportive and they started me on violin lessons right away.” She began studying the Suzuki method at 3, although it was not adhered to strictly. Her continued interest was the result of musical games that came from her first teacher, Sarah Hotchkiss. “I was hooked! Occasionally she would teach me fiddle tunes in addition to the Suzuki songs and I gravitated toward those a lot more.”
As Bronwyn grew older, she began taking Cape Breton fiddle lessons from Beth Telford in Vermont. “She would humor me with whatever obscure Celtic tune I wanted to learn, and if she didn’t know it, we would learn it together, which I think is so cool. That’s something I’ve carried on in my teaching.” Bronwyn would also take master classes from renowned Cape Breton fiddler Jerry Holland.
ãã®èšäºã¯ Fiddler Magazine ã® Winter 2019/20 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Fiddler Magazine ã® Winter 2019/20 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Bluegrass Fiddling
Mac Magaha-Nashville's Dancing Fiddler
The Intrepid Fiddler
Busking in the Digital Age
Isle of Birds
Scottish Fiddling with Pete Clark
Jody's Column
"Broken Down Gambler" as played by The Skillet Lickers
Tunesmiths
A Favorite Tune and its Mysterious Title
On Improvisation
In this On Improvisation column, we'll be discussing Mr. (or Ms.) Pinky, as he (or she) is known to his (or her) friends.
Ingredients of Fiddle Tunes
After several years of teaching and playing at the Festival of American Fiddle Tunes in Port Townsend, Washington, Marc Savoy, accordion maker and player, said he did not want to return.
Glen Harrell - Turn up the Volume
In just a little over 10 years since its formation, Volume Five has become one of the most popular bluegrass bands in the industry. The reason is obvious: distinctive, strong vocals, quality instrumentation, well-chosen bluegrass and gospel songs in its repertoire, and a dedicated leader of the band.
Violin Maker's Corner
Fundamental Friction Facts for Fiddler Folks
Murray Kuun: Non-traditional Violin Maker
Murray Kuun is a woodworker and luthier living in South Africa, where he builds violins and other instruments. In a recent interview, he told us about his path to becoming a maker of instruments with innovative designs.