Untamed woodland was brilliantly transformed into a pioneering garden at Exbury, thanks to the vision of Lionel de Rothschild. Mark Griffiths discovers how his legacy is being continued.
It all came about because of a postbox,’ Lionel de Rothschild tells me. ‘In 1912, my grandfather, Lionel, and grandmother, Marie-Louise, moved to Inchmery, not far from here. He’d become interested in growing rhododendrons and other acid-lovers, hence the appeal of this part of Hampshire, with the Solent’s climate and the New Forest’s soil.
‘Before very long, he needed to expand the garden, but he ran into an obstacle—a public postbox that, on absolutely no account, could be moved. It seemed he was stuck. then a solution presented itself: this place, Exbury, Inchmery’s far larger neighbor, came up for sale. My grandfather acquired it in 1919. He renovated and enlarged its house as a home for his family and began making its land fit for his plants.’
We’re strolling through the outcome of that purchase: Exbury Gardens, which celebrates its centenary this year. Adorning each grove and glade along our route are treasures from a collection of more than 30,000 species, hybrids, and cultivars that is unique in its scientific and cultural importance.
However, Exbury is even more than a great collection. It works, in both senses, as a garden: as a place of consummate artistry and exquisite beauty and as a producer, pioneering garden styles and plants that have been adopted the world over. Inchmery’s immovable postbox ought to be stuffed with thank-you letters.
Exbury’s creator, Lionel de Rothschild, described himself as a ‘banker by hobby but a gardener by profession’. This was characteristically self-effacing. He and his brother Anthony were partners in N. M. Rothschild and Sons, the mighty bank founded by their great-grandfather. In horticulture, Lionel was more than a match for the best professionals.
この記事は Country Life UK の May 08, 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Country Life UK の May 08, 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery