Duncan Macmillan is transported by the highly charged works of the pioneering German Expressionist
EMIL NOLDE (1867–1956) was one of a group of artists in Germany ambitious to find a more openly emotional way of painting in the early years of the past century. Later called the German expressionists, they took inspiration from van Gogh for the freedom of their brushwork, from Gauguin for the inspiration of the primitive and, from both, a belief in the power of colour liberated from description.
They also identified with the emotional intensity of earlier German artists such as dürer and Grünewald. They saw their highly charged work as distinctScottish National Gallery of Modern Art ively German, in contrast to the calm of italian Renaissance painting, and felt this legitimised their own ambition to throw off all restraint. Nolde’s painting Milkmaids 1, from 1903, already shows this lack of restraint, but also how much it owed to van Gogh. Three milkmaids are blown by the wind, which is portrayed by the driving rhythm of the artist’s brush.
Born in the flat farmlands of Friesland, on the border between Germany and denmark, Nolde was a countryman. Before the First World War, he generally spent the summer in the country and wintered in Berlin, where he encountered artists such as Franz Marc, Karl SchmidtRottluff and Paul Klee and was, for a short while, a member of their group Die Brücke (The Bridge).
この記事は Country Life UK の September 12, 2018 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Country Life UK の September 12, 2018 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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