The first exhibition devoted to the British Post-Modernism Movement shows it was not only about style, but about reconnecting with the past
It was A. W. N. Pugin, the great father of the Gothic Revival, who first introduced a moral tone into the debate about style in architecture, condemning those who went ‘whoring after strange styles’. A similar air of outrage drove the veterans of the Modern Movement to lambast the rise of Post-Modernism in the 1980s. ‘A violation of sanity; in short, treason’, thundered Aldo van Eyck, and for Berthold Lubetkin (of Penguin Pool fame), Post-Modernism was not only aesthetically repulsive, but also a threat to the gospel of social progress central to his vision of Modern architecture. Richard Rogers, taking up the cudgel, dismissed Post-Modern architecture as ‘the superficial aesthetic of shoddy commercial design…. obsessed with money and fashion’.
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Happiness in small things
Putting life into perspective and forces of nature in farming
Colour vision
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'Without fever there is no creation'
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The colour revolution
Toxic, dull or fast-fading pigments had long made it tricky for artists to paint verdant scenes, but the 19th century ushered in a viridescent explosion of waterlili
Bullace for you
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Lights, camera, action!
Three remarkable country houses, two of which have links to the film industry, the other the setting for a top-class croquet tournament, are anything but ordinary
I was on fire for you, where did you go?
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Bravery bevond belief
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Let's get to the bottom of this
Discovering a well on your property can be viewed as a blessing or a curse, but all's well that ends well, says Deborah Nicholls-Lee, as she examines the benefits of a personal water supply
Sing on, sweet bird
An essential component of our emotional relationship with the landscape, the mellifluous song of a thrush shapes the very foundation of human happiness, notes Mark Cocker, as he takes a closer look at this diverse family of birds