The future of international f ilmmak ing, or a colossal folly? Empire scales The Great Wall, 2017’s strangest blockbuster.
Thomas Tull was eight years old when he first heard that the Great Wall Of China is the only man-made object you can see from space. Like all powerful myths, it lodged itself in this New York boy’s imagination and dug its roots in deep, never to be withered by the fact it’s totally untrue. “It might be an urban myth, but I found it fascinating,” Tull says now. “I couldn’t get it out of my head.” Questions buzzed around his young mind: “Why would they build something like that? What were they trying to keep out?”
It wasn’t until 2010 that the answer — the mythical answer, that is — came to him, during a trip (of course) to China. By this point, Tull was 40 years old and had set up the appropriately named Legendary Entertainment, a production outfit specialising in bombastic sci-fi and fantasy films such as The Dark Knight, Watchmen, Clash Of The Titans and Inception. “I started thinking, ‘Well, what if this feat of engineering — this incredible undertaking that required sheer force of will — was really to repel not people or a band of raiders, but mythical creatures?”
That was the moment Thomas Tull started building his own Great Wall.
この記事は Empire の March 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Empire の March 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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