When a new person comes to my studio, I beam, open the door, and then watch their increasingly flabbergasted gaze travel around the room. If they look hostile, I leap in front of them and wave my arms frantically while declaiming: “I didn’t murder anything – the bones were found in the woods, the pelts are old and were salvaged from antique stores, even that coral is from the 70s… please put it down, THANKS!”
Usually they’re stunned into acceptance, probably more from my flashing arms and lack of grammar than anything approaching a well reasoned argument.
I beam, open the door, and then watch their flabbergasted gaze travel around the room…
Unfortunately, I can’t wave my arms and jump up and down for this feature, so I’ll focus on explaining myself (hopefully coherently) instead.
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PAINT EPIC BATTLES IN TRADITIONAL INK
Warhammer illustrator THOMAS ELLIOTT shows you how to create an epic science fiction fight scene with this step-by-step guide
CONJURE MAGIC ILLUSTRATIONS
Daria Anako demonstrates her process for creating a whimsical piece of art with some spellbinding touches
First Impressions
We discover the early influences that inspired the artist
ZBrush for iPad
GAME CHANGER The desktop version of popular 3D sculpting software ZBrush has been redesigned for iPad - and it's brilliant
BenQ GW2786TC
GET AN EYEFUL Don't scrimp out on your health with a monitor that's kind on the eyes and good for creative tasks
Huion Kamvas Pro 19
TABLET WARS An attractive pen display does an excellent job of balancing price and performance as it sets out to challenge its rivals in the mobile marketplace
DRAGON OFORCEC
Legendary D&D artist Larry Elmore explains the keys to crafting timeless fantasy art.
DUNGEON MASTERS
ImagineFX marks the milestone 50th anniversary of the launch of Dungeons & Dragons with a look at its rich tradition of illustration
Erik Ly
Gamer's haven Why the artist enjoys a maximalist aesthetic more than the minimalist approach.
2D meets 3D: How the workflows are merging
Interdimensional As VFX and animation evolve and tools become more accessible, Tanya Combrinck asks whether the separation between the mediums is reducing
