Brush safari A new kind of paint program, with non-traditional brushes and a focus on customisation and experimentation.
Compared to more traditional programs like Photoshop and Painter, Black Ink’s brushes feel like taming a wild animal. It’s hard to gauge if this would offer much of a benefit during straightforward representative drawing, but the unpredictability of the line work can be great for designing organic shapes and creatures that feature a lot of unexpected angles.
If you need to make a photo-realistic portrait of an astronaut for class, say, Black Ink probably isn’t going to give you an edge over your usual software. But now, suppose you need to draw the crystal-based alien inhabitants of the planet our astronaut gets stranded on. Black Ink time, baby! The dynamic nature of the brushes is perfect because it puts variation and nuance throughout the shapes.
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PAINT EPIC BATTLES IN TRADITIONAL INK
Warhammer illustrator THOMAS ELLIOTT shows you how to create an epic science fiction fight scene with this step-by-step guide
CONJURE MAGIC ILLUSTRATIONS
Daria Anako demonstrates her process for creating a whimsical piece of art with some spellbinding touches
First Impressions
We discover the early influences that inspired the artist
ZBrush for iPad
GAME CHANGER The desktop version of popular 3D sculpting software ZBrush has been redesigned for iPad - and it's brilliant
BenQ GW2786TC
GET AN EYEFUL Don't scrimp out on your health with a monitor that's kind on the eyes and good for creative tasks
Huion Kamvas Pro 19
TABLET WARS An attractive pen display does an excellent job of balancing price and performance as it sets out to challenge its rivals in the mobile marketplace
DRAGON OFORCEC
Legendary D&D artist Larry Elmore explains the keys to crafting timeless fantasy art.
DUNGEON MASTERS
ImagineFX marks the milestone 50th anniversary of the launch of Dungeons & Dragons with a look at its rich tradition of illustration
Erik Ly
Gamer's haven Why the artist enjoys a maximalist aesthetic more than the minimalist approach.
2D meets 3D: How the workflows are merging
Interdimensional As VFX and animation evolve and tools become more accessible, Tanya Combrinck asks whether the separation between the mediums is reducing