Jennifer Wuestling was still a student in Germany when she got an interview for a dream job at Riot Games in Los Angeles. This was 2014. She was in her in final year studying design and visual communication at Pforzheim University. She had some experience in entertainment art – she’d recently worked at a Berlin concept art studio as an intern. As well as wanting to talk to her, Riot Games set Jennifer an art task.
Tests like these, you’re given a deadline and certain guidelines. It’s a chance to show what you can do, how you’d handle the pressure of working at a big games company. Jennifer was also working on her bachelor thesis. The art test quickly stressed her out, and she failed.
“I was so happy about the opportunity,” the German says, “that I took it on right away, and got pretty stressed. In hindsight, if I had waited a few months and finished my degree, I would have had a more relaxed and methodical approach to the test. The timing wasn’t perfect.”
TIME TO DRAW
Jennifer grew up in a small town in the northern Black Forest region of Germany – best known, she says, for cuckoo clocks and Black Forest gateau. There was a lot of climbing trees and riding her bike. At home, she played the latest computer games – her father’s hobby. Her mother’s Spanish and so Jennifer grew up bilingual. This combination of old and new, nature and video games, and the feeling of being between two cultures… it got Jennifer’s imagination going. She was always drawing and making stories up.
この記事は ImagineFX の January 2021 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は ImagineFX の January 2021 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Jan Wessbecher
Dominic Carter talks to the visual artist about creating his own comic and why sketchbooks are great for creative experiments
Kyounghwan Kim
The Korean character concept artist speaks to Dominic Carter about staying open to ideas and the value of drawing regularly
Slawek Fedorczuk
Dominic Carter talks to the concept artist about what keeps him motivated and the advantages of using physical sketchbooks.
Raquel M. Varela
Raquel is inspired by magic, fantasy and fairy tales. She loves designing female characters from distant worlds. \"My greatest reference is Loish's art, thanks to her I learned to draw the movement and fluidity I like to convey.\"
Estrela Lourenço
Estrela is a children's book author and illustrator. Her work is influenced by her background in character animation and storyboards for clients such as Cartoon Network, and she channels comic strips like Calvin and Hobbes.
Daria Widermanska
Daria, also known as Anako, has been drawing for as long as she can remember. Inspired by Disney and classic anime, she loves creating new characters and often finds that a single sketch can spark a unique story.
Allen Douglas
Allen has been painting professionally since 1994 for the publishing and gaming industries. Inspired by folklore, he distorts the size, relationships and environments of animals, and calls his paintings 'unusual wildlife'.
Thaddeus Robeck
Thaddeus has been drawing from the moment he could hold a pencil, but it was the 2020 lockdowns that gave him the time to focus on honing his skills.
DRAW FASCINATING SYMBOLIC ARTWORK
Learn how JULIÁN DE LA MOTA creates a composition from his imagination with a focus on crafting figures, volumetric modelling, and light and shadow
First Impressions
The artist talks about his journey into the mythological world