But it’s not as easy, not as glib, to recognize the reality. Mary Higgins Clark personified her own heroines. Through incredible adversity, she persevered, fought her personal battles, and flourished. And triumphed. From a working mom typing at the kitchen table at the crack of dawn, she became a relentlessly hardworking, infinitely wise, and incredibly savvy career author. She knew what her readers craved, and she—with skill and exquisite talent—offered it to them with her unending grace and shared enthusiasm.
There is not one of us who doesn’t remember where we met her. I first saw her from afar at Malice Domestic, at a table in front of a line to sign her book so long that it doubled back again and again with a chain of readers who would have happily stayed there waiting even longer than they did. It felt as if we were getting an audience with royalty. And actually, we were.
Simon and Schuster, her only publisher for her 56 books, was so protective of her legacy that almost 20 years ago they established the Mary Higgins Clark Award, to be given each year to a book “most closely written” in the Mary Higgins Clark traditions: no graphic sex or violence or “strong” four-letter words, and starring a “nice” young woman who is not looking for trouble, and who solves her problems via her intelligence.
Was she our muse? Our teacher? Our spirit guide? A whole lineage of authors grew from that legacy. A few friends and colleagues gathered together to talk about Mary’s influence. Some were nominated multiple times for the Mary Higgins Clark Award; several won it, and Carol Goodman won twice—including this year.
Hank Phillippi Ryan: When you sit down to write a new book, is Mary Higgins Clark in your consciousness?
ãã®èšäºã¯ Mystery Scene ã® Fall #165, 2020 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Mystery Scene ã® Fall #165, 2020 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
6 New Writers to Watch
Wiley Cashâs debut, A Land More Kind Than Home, about the bond between two brothers landed on the New York Times Best Sellers List and received the Crime Writersâ Association Debut of the Year.
ANN CLEEVES
British author Ann Cleeves has an affinity for remote areas and how these isolated regions affect her characters.
CARLENE O'CONNOR
âAnyone can play Snow White. It takes real talent to play the Wicked Witch.â
Mystery Scene MISCELLANY
FIRST USE OF FINGERPRINTS
PANIC ATTACK
The newest entry in my Pittsburgh set series of thrillers is called Panic Attack. Itâs the sixth book featuring Daniel Rinaldi, a psychologist and trauma expert who consults with the Pittsburgh Police.
LAIDLAW'S LEGACY
During the pandemic, Ian Rankin stepped away from Rebus and into the shoes of friend and literary hero, the âGodfather of Tartan Noirâ William McIlvanney.
HILARY DAVIDSON
Call it The Case of Life Imitating Art.
Thomas Walsh - The Unusual Suspect
Any paternity test on the sub-genre of police procedural will identify the DNA of Ed McBain and Lawrence Treat, as well as the 1948 movie The Naked City and the radio and TV series DragnetâŠand of course Thomas Walsh.
S.A. COSBY
In Razorblade Tears, two aging menâone Black, one white, both with criminal pastsâjoin forces to seek revenge for the murders of their gay sons. The themes of fathers and sons and toxic masculinity will be familar to fans of Cosbyâs 2020 breakout Blacktop Wasteland.
VIPER'S NEST OF LIES
A slip of the tongue is a dangerous thing. Not only does it expose indiscretions, it also can lead to murder. The latter especially applies to me.