What John Mayall did from 1964–66 probably couldn’t be attempted today: He launched a band of mostly-younger players, each of whom became a major force in English music over the next four decades.
That batch of Bluesbreakers—with Eric Clapton, John McVie, Mick Fleetwood, Jack Bruce, Peter Green and Mick Taylor at various times—may be his most celebrated era, but it was only one of many dozen, wildly diverse blues bands he’s fronted over the years. The latest incarnation, now a trio without drums and with the new addition of Texas guitar firebrand Carolyn Wonderland, hits the Fest this year.
It seems remarkable now that a bunch of English kids would revere and play the blues as well as they did. “We didn’t think of them as kids—they were grown men, even though they were 17 and 18 years old,” Mayall says now. “Trad jazz had been ruling the roost for ten years before that, thanks to people like Chris Barber. And then we had bluesmen like Big Bill Broonzy coming over to England. So it was definitely more than a fad.”
Mayall wound up largely abandoning the guitar-band format just as bands like Cream and Fleetwood Mac were starting to catch on—and to a great extent, that’s where his catalogue gets interesting. The 1969 album The Turning Point, still one of his best sellers, bucked convention by using an acoustic band—guitar, flute, bass and harmonica, no drums. That album also introduced “Room to Move,” his signature tune for decades to come.
ãã®èšäºã¯ OffBeat Magazine ã® Jazz Fest Bible 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ OffBeat Magazine ã® Jazz Fest Bible 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Celebrate While We Incinerate
Malevitus has never sounded weirder or more beautiful.
Anjelika âJellyâ Joseph [talks back]
As eclectic as the New Orleans music scene is, itâs still hard to imagine an artist having a more diverse career than Anjelika âJellyâ Joseph, who, at the age of 31, sings in three bands that could hardly be more different.
Indie Rock's 10-Year Anniversary
New Orleans rock artists have always been a part of the cityâs music scene.
THE ICEMEN COMETH
THE ICEMAN SPECIAL MAKES MUSICAL MAGIC WITH A CROSS-GENERATIONAL COLLABORATION AND FAMILY TIES
Christone ââKingfish'' Ingram talks back
A native of Clarksdale, Mississippi, Christone âKingfishâ Ingram comes from the land of Muddy Waters, Robert Johnson, John Lee Hooker and Skip James. Just turned 21, this young man with the blues respects his musicâs past even as he shapes its future.
Mr. Z
Matthew Zarba is Upbeat Academyâs unflappable rap principal.
A Walking Spirit
Victor Harris, the Spirit of Fi-Yi-Yi, celebrates 55 years of beauty and culture.
Playing For His Life
Darius Lyndsley is on a mission to turn his art into something more.
The Supreme Green Fairy
Tank and the Bangas reign over krewe BohÚme.
Felipe's Mexican Taqueria
Everyone has a handful of go-to restaurants they count on for consistently delicious dining experiences.