BUZZ LIGHTYEAR MAY HAVE become a superstar but he was also an action figure, a child's plaything, a T-O-Y - and not even a flying one at that. It turns out, however, that even pretend Space Rangers come from somewhere...
Lightyear, Pixar's 26th movie, imagines the film that Andy - pre-teen owner of Toy Story's famous play room - would have watched back in 1995 when he put Star Command's finest at the top of his birthday wishlist. In the fictional world where Pizza Planet is a popular fast-food destination and the number A113 crops up with the spooky regularity deserving of an X-Files case, the Lightyear film may be just as pivotal as Star Wars.
"I felt like there was a story that was unexplored, that could be a separate, divergent story from the Toy Story universe,” Lightyear writer/director Angus MacLane says of the studio's upcoming space opera. "For me it was an opportunity to take a character that I felt familiar with [MacLane was animating Buzz as far back as 1999's Toy Story 2], and then explore his universe.
Also, when you're dealing with sci-fi, there's so much to set up that you're looking for anything that's relatable, just to build around. Buzz provided that stepping-off point."
While this Buzz dresses in standard-issue Star Command spacesuits, recites some familiar catchphrases and is prone to recording mission logs in real-time, this is definitely not the deluded Mr Light Beer who became the comedic foil for an insecure toy cowboy. Instead, this Buzz is the blueprint, a movie Space Ranger whose colossal big-screen success has spawned a merchandising empire so large it occupied an entire aisle of Al's Toy Barn in Toy Story 2.
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
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SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
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PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
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IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS