STILL WITH US? IF YOU EVEN VAGUELY understood that introduction, you probably watched Luna, ITV’s early ’80s, post nuclear-family sitcom, remembered for its circumlocutory vocabulary and teenaged ingénue Patsy Kensit’s first title role.
The notion of a girl of the future came from Micky Dolenz, former drummer with 1960s US TV pop act The Monkees, and was inspired by his daughter Ami. Now billed as Michael Dolenz, he was producing LWT’s hit Saturday teatime sitcom Metal Mickey; Luna would soon follow in ITV’s Saturday schedules.
The ex-Monkee engaged actor Colin Bennett to write the series. He had previously directed Dolenz and fellow former Monkee Davy Jones in the 1977 Mermaid Theatre production of Harry Nilsson’s psychedelic musical The Point.
SFX happily caught up with Bennett at the Cotswolds home of his Luna co-writer Colin Prockter. Bennett and Prockter – the pair usually refer to each other by their surnames – had written together since meeting as touring actors and from 1980 developed Luna, with the effusive Dolenz acting as salesman. “We wrote this script but Micky went round and sold it,” Prockter recalls. “We had three goes with the BBC and LWT and it finally ended up at ATV. We’d go in very diffidently and very English-ly and say, ‘We’ve written this little thing you might be interested in.’ Micky would storm in and say how he wanted it shot. It was all very American and up and brilliant.” ATV’s new children’s commissioner Lewis Rudd greenlit Luna just as the company restructured as Central Television.
“I think Michael just liked Luna as the name for the girl,” remembers Bennett of Dolenz’s initial outline. “I think it was set on an orbiting space station.”
この記事は SFX の February 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は SFX の February 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS