HOW DO YOU GRAPPLE WITH WRITING about contemporary America, a place where fantastical events seem ready to intrude on day-to-day reality at any moment? For Noah Hawley, his answer was to embrace the fantastic. “It became clear over time that Anthem had to be a fantasy novel,” he says of his latest book, “but rather than a true fantasy novel, it’s a fantasy novel that takes us through our real surroundings.”
But how do we define “real”? One of Anthem’s recurring themes is the idea that the “line between fact and fiction has really broken down, to the degree that two people can be convinced of alternate realities”. And not just alternate, but irreconcilable when you consider, say, the hostility with which QAnon followers, conspiracy theorists with beliefs rooted in the notion of a satanic cabal opposed to Donald Trump, view the established media.
It’s an idea touched on by one of Hawley’s characters, a teenager who calls himself The Prophet. “He says, ‘You know, 33% of Americans believe that angels and demons walk among us, and some similar number believe that UFOs are real,’” explains Hawley. “And he’s asked, ‘What do you believe?’ He says, ‘Well, I believe that the more people believe it, the realer it becomes.’”
The book also has a character who calls himself Randall Flagg, a recurring character in Stephen King’s work. In a fictional world, reasons Hawley’s Flagg, why can’t he be a fictional character? One way to look at 6 January 2021, when Trump supporters stormed the Capitol Building, says Hawley, is to see it as “sedition as cosplay”.
ãã®èšäºã¯ SFX ã® April 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ SFX ã® April 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS