BY HER OWN ESTIMATION, PAT CADIGAN IS “a little old lady”. If this brings forth images of doilies, rocking chairs and sprigs of lavender in bedding drawers, forget it, because Cadigan comes across as a tough cookie. Take her attitude towards living with terminal cancer.
“I have outlived my projected departure date by, let me see, five years now,” she says. “I’m not in remission – my cancer doesn’t go into remission. Many recurrent cancers don’t, and this is a recurrent cancer. But the thing is, I feel really good. I certainly don’t feel like someone who is ill.”
Her work rate reflects this. Now aged 68, she continues to produce books and stories on a regular basis, most recently a novelisation of fellow cyberpunk William Gibson’s unproduced screenplay for Alien3. This is a very different vision to that committed to film during an infamously troubled production.
“If they’d filmed the script,” she says, “Alien3 wouldn’t have left such a bad taste in everybody’s mouth. His script is so intelligent, it really is.” The cyberpunk writers were “big fans” of Alien and its sequel. Cadigan especially liked the way the films showed “the men and the women working as equals”.
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ANCER MAHAGEMENT
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THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
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PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
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IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS