JURASSIC WORLD DOMINION - the conclusion of the Jurassic World saga - could have simply ould have simply rehashed the formulas of its successors, that gobbled up over $2.9 billion at the worldwide box office. But that kind of lacklustre and uninspired vision is what causes franchises to go extinct.
Instead, director Colin Trevorrow is taking Dominion's dinosaurs out of their familiar island habitat and plonking them onto a global stage, where they roam the land and somehow co-exist with mankind. Here's the good news for moviegoers: something goes terribly wrong. That's evident when the gigantic sea-based Mosasaurus capsizes a fishing vessel. This science thriller, however, isn't just a dinosaurs gone-wild escapade. It's also a story about parenting, philosophical ideals and grandeur. But, don't worry, big lizards still wreak havoc.
"To me, Dominion is not just capping off a trilogy," Trevorrow tells SFX. "It's telling the story that feels like the end of a six-movie cycle and honouring all of the characters. It's not as much dramatic storylines. It's not really that kind of franchise. It's more scientific ideas, questions that have been posed by author Michael Crichton from the very beginning.
"To me, it needed to be a movie about genetic power, the danger of genetic power on a larger scale than just specifically, 'Oh, we could make dinosaurs? This is real technology that is affecting our daily lives and is going to affect our future. What more can we say? How much more can we warn each other that this is an extraordinary powerful science that we need to respect?"
BACK TO BASICS
ãã®èšäºã¯ SFX ã® June 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ SFX ã® June 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
ANCER MAHAGEMENT
WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR
WHO YA CONNA CALL?
BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE
SPEAK OF THE DEVIL
THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS
SCARRY STORIES TO TELL IN THE DARK
FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES
UNDEADS REFLECTIONS
NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON
MUNSTER MASH!
PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL
COMING TO AMERICA
THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH
BEING HUMAN EVOLUTION
IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX
THE MAINE EVENT
THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN
WHY DON'T YOU STAY FOR A BITE?
THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS