An evolved BP VALENZUELA emerges more empowered and fiercer than ever, far from the mild-mannered rookie musician you used to know
BEFORE MAKING A NAME for herself and gaining traction across the country, BP Valenzuela was an idealistic rookie who wasn’t sure of the things she would eventually encounter as part of the independent music industry. In the years she’s been active, BP has joined and eventually left music collective Logiclub; spoken out about various issues revolving around politics, the LGBT movement, and intersectional feminism; and called out other artists online, the most prominent instance being her feud with SUD and the group’s infamous Pulp magazine cover portraying a male gaze for a lesbian couple. “I got very emotional about it, mostly because, ’yun nga, the Philippines is a very Catholic country that also sees women like that. I got frustrated and it led me to let go. A lot of people’s toes got stepped [on] because of what I was saying [online]. But then other people started to talk about it and I’m not sorry about that. I’m not sorry because people need to talk about it.”
この記事は Scout の July - August 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Scout の July - August 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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