After the dawn and rise, civilisation attempts to strike back. We take a look at the eagerly-awaited third instalment of the successful update of the classic series as we go to WAR FOR THE PLANET OF THE APES…
We’ve always had a complex relationship with apes. Not us at STARBURST - let us be absolutely clear about that - but mankind in general. Whenever you visit a zoo, there’s always that chance you’ll turn the corner from those funny meerkats and suddenly find yourself staring full-square into the sad, questioning eyes of a giant orangutan. Not exactly a happy monkey, is he? And at that moment, you might just feel a shiver of realisation that those eyes seem to be holding you in some way accused…
Thus, the Planet of the Apes phenomenon tapped a rich vein of paranoia when it conquered the collective imagination of the late ‘60s and early ‘70s. Inspired by the classic 1963 French-language novel Monkey Planet by Pierre Boulle, the five-film series came to represent the archetypal mainstream sci-fiflick before Star Wars demonstrated that not all Hollywood fantasy or disaster movies needed to star Charlton Heston or Roddy McDowall (or both). And yet, in an era before ‘franchise’ was even a thing, the apes did it all - movies, TV spin-offs, comics, toys - despite being, at its heart, one of the least uplifting properties in entertainment history. Often a total downer (has there ever been a more depressing ending to a film than Escape from the Planet of the Apes?), the movies explored the ambiguous orbits of man, woman and ape in a variety of ways. Sci-fiparable, prison drama, domestic satire, and fugitive thriller were all fair game but the series was most at home in the genre ready-made for such flinty-eyed opponents: war movie.
この記事は Starburst Magazine の July 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Starburst Magazine の July 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Memoirs Of The Dead
It’s over 40 years since George A. Romero’s seminal zombie sequel DAWN OF THE DEAD first terrorised the planet, forever changing our demeanour when visiting the local shopping mall. On the eve of its latest disinterment - this time in 4K - we spoke to two actors who lived to tell the tale…
STAND BY FOR SHADO
This autumn marks the 50th anniversary of Gerry Anderson’s evolution from producing Supermarionation to live-action TV shows with UFO. We take a fond look back on a complex, mature series that took Century 21 Productions to new creative heights…
SHORT AND TO THE POINT
Short films have become a popular staple of film festivals but SHORT SHARP SHOCKS, the 41st release from BFI Flipside, shows us that the format has been used for much more commercial means previously…
ROAD TO OTAKU
YOUR GATEWAY INTO THE WORLD OF ANIME......WITH YOUR NAVIGATOR, JAMES 'MAGIC PERKINS' PERKINS
INDEPENDENTS DAY - FC RABBATH
Born in Alexandra, Egypt in October 1986, director/writer FRED ‘FC’ RABBATH has been an inventor, author, comedian, journalist, and all around entrepreneur. He’s also hugely well-travelled thanks to his father’s work, which required Fred to live in several countries before he was even 16. Tirelessly prolific, he has written and directed a string of acclaimed short films and a number of features including Scarlet’s Witch (2014), The Hum (2015), The Movie Extra (2015), and especially A Brilliant Monster (2018), which we described as ‘quirky and highly watchable… a psychological horror/thriller that examines the nature of creativity and the obsessions which drive the creative mind’ He’s back later this year with THE WAITING, a highly unusual and unpredictable ghost story that turns slowly into an unusual romantic fable. We spoke to Fred about his background and his approach to his work in the independent movie sector.
HEART and SOUL
Known for re-shaping the landscape of movies as we know it (not just animated ones), Pixar has respectfully raised the bar with delightful, heartfelt aplomb. From the intense opening segment of Up where no matter how lacking in emotion you think you are, tears will still come running, to the joyous Randy Newman-scored Toy Story moments, to the roaring, superhero family dynamics in The Incredibles, there’s an endless array of remarkable Pixar memories. Even in just these highlighted animated spectacles alone, Pixar has imprinted many sequences into our brains that we will never, ever forget. Everyone has a favourite Pixar character, scene, quote, song, and catchphrase that still evokes something nostalgically magical in them. So, what’s yours?
TRUTH BE TOLD
Following on from our TRUTH SEEKERS set-visit last issue, we speak with the driving forces behind Prime Video’s excellent new supernatural comedy series, SIMON PEGG, NICK FROST, and SAMSON KAYO...
Telephemera
ALAN BOON DELVES INTO THE TELEVISION ARCHIVES TO UNEARTH ANOTHER LONG-FORGOTTEN CURIO...
AN EYE FOR AN EYE
The controversial 1978 film I SPIT ON YOUR GRAVE has just been released as part of a 6-disc box set that includes the reboot trilogy, the UK debut of the direct sequel, DÉJÀ VU, and a feature-length documentary GROWING UP WITH I SPIT ON YOUR GRAVE. We managed to speak with actors CAMILLE KEATON and JAMIE BERNADETTE as well as the son of the original director, TERRY ZARCHI to find out more about the legendary revenge films…
telephemera
ALAN BOON DELVES INTO THE TELEVISION ARCHIVES TO UNEARTH ANOTHER LONG-FORGOTTEN CURIO...
