Some of our readers seem to believe that the essence of high-quality audio is disclosed primarily by science, and not by dreamy, bodice-ripping adventures that take place on plush carpets behind closed doors.
Perhaps they’re right. Unfortunately, I have had no personal experiences that confirm that hypothesis.
It also appears that some hard-core audiophiles think that recordings of music are simply tools for playing their gear. I believe that the gear and the recordings are both tools that reveal how I—and people in China, Africa, Alabama, and Detroit—feel about being stuck here together on planet Earth. For me, the better the recording and the gear, the more easily and directly I can connect with the worlds outside my bunker.
AUDIOQUEST NIAGARA 1000
With these beliefs in mind, I began my examination of AudioQuest’s Niagara 1000 Low-Z Power/Noise-Dissipation System ($995), which uses the same Ground-Noise Dissipation System and Ultra-Linear Noise-Dissipation Technology that the company touts for their $7995 Niagara 70001—but not its isolation transformers or transient power correction system. Though the Niagara was born of science and measurements, I now know, after six months of using it, that it can help me dream of Indian dancers and better understand musicians from Texas and Louisiana.
OKAY—SHOW ME: The first time I heard the Niagara 1000, Garth Powell, AudioQuest’s director of power products, had just plunked it into my system. I’d unplugged all my gear from my Home Depot outlet strip, and Powell had then plugged it all into the 20"-long dark-chromed tube of the Niagara: my First Watt F2 power amplifier into the single outlet labeled High Current, and everything else into the Niagara’s five remaining outlets. Sitting on the couch were my boss and my lifestyle consultant.
“So?” asked Powell. “What do you think?”
The difference was not heart stopping. Neither was it subtle. Everyone in the room heard it.
この記事は Stereophile の April 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Stereophile の April 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
German kitchens, Japanese amps, and Afropop gems
BRILLIANT CORNERS - I have a day job at a museum. One of my favorite things about working there is taking the elevator from my office down to one of the floors open to the public; I walk into the galleries through a discreet panel in the wall. This makes me feel like I'm in one of those horror-movie manors with a tunnel concealed behind a bookshelf. Sometimes I startle people, which I kind of enjoy.
EDITOR'S PICK - RECORDING OF THE MONTH
The record business was awash in money and power. Vinyl LPs were still five bucks, and while the pressings could be suspect, the music-buying public still snapped them up en masse.
The Butthole Surfers wipe out
REVINYLIZATION - Music's lunatic fringe drifts further out every hour. As it should. In this century, with computers playing an ever-larger role, music continues to fragment and become infinitely more varied. This splintering is either the essence of what keeps it relevant as an art form or something profoundly disturbing, to be hated and feared.
You're only lonely
AURAL ROBERT - The least surprising story in music today is the inevitable passing of irreplaceable talent. Tenor saxophonist Benny Golson died at age 95 the day I finished this salute to another fallen star, Southern California singer/songwriter John David \"JD\" Souther.
PS Audio Aspen FR5 - LOUDSPEAKER
I remember the first PS Audio product: a simple phono stage. It was so simple - a passive RIAA eq filter flanked by a pair of primitive op-amps - that when the schematic was made public, I built one myself; I was in the midst of my DIY years. I thought it was, to use a word from that time, nifty.
TEAC UD-701N - STREAMING PREAMP, D/A CONVERTER
In Gramophone Dreams #88, I described the sound of TEAC's VRDS-701T CD transport as \"dense and precise in a way I had never previously heard from digital.\" I went on to explain, \"by dense, I mean there was a tangible corporeality effected by seemingly infinite quantities of small, tightly packed molecules of musical information.\"
Sonus faber Sonetto V G2 - LOUDSPEAKER
Here's a hard truth: A written review of a full-sized speaker any speaker, really-is, at best, semi-useful. We all listen differently, we have different musical tastes, our system electronics are different, and our listening rooms vary a lot. You will gain a general picture of a speaker's capabilities and foibles from John Atkinson's measurements, and I can tell you how the speakers sound to me, in my room. But that's it. You need to hear them for yourself before making a buying decision. The best I can do is tell you how my music brain felt when the speakers were in my house and making music.
STEREOPHILE'S 33RD ANNUAL - PRODUCT OF THE YEAR AWARD 2024
When Stereophile's Product of the Year Awards were first published, in 1992, we decided that unlike some other publications and their awards schemes, we would keep the number of categories to a minimum. That way, we would avoid what the late Art Dudley once described as the \"every child in the class gets a prize\" syndrome.
Moon 861 - POWER AMPLIFIER
It is unusual to begin a review with a detailed discussion of setup. But setup protocol for the Moon 861 power amplifier ($22,000 each), the top-level amplifier in the North Collection from Moon, which I reviewed bridged in mono, proved crucial to its sound.
Mobile Fidelity, PrimaLuna, and First Watt redux
GRAMOPHONE DREAMS - It's important for readers to remember that I've spent my adult life as an artist and mechanic. Making things. Working as a tradesperson during the day then at an easel or workbench at night.
