Following my review of the floorstanding Magico S5 Mk.II last February,1 I spent some time with two-way stand-mounted speakers from Aerial Acoustics, Bowers & Wilkins, and Dynaudio. As much as I appreciated the small speakers’ virtues, I found myself missing the big Magico’s bass extension and ability to play loud; my next loudspeaker review, therefore, would be of another floorstander.
It’s been a while since we published a review of a Rockport Technologies loudspeaker. Michael Fremer raved about Rockport’s Antares in August 2002, which at the time cost $41,500/pair.2 In September 2004, he was also impressed by the combination of the Rockport Merak II loudspeaker and Sheritan II subwoofer ($29,500/system).3
I’ve been consistently impressed by the sound of Rockport speakers at audio shows over the past few years, so I asked Rockport’s Andy Payor for a pair of Avior IIs.
The Avior II
At $38,500/pair, this three-way design is almost identically priced to the Magico S5 Mk.II and is very similar in height, width, and weight—a back-breaking 220 lbs—but is significantly deeper. The review samples were finished in a high-gloss piano black, and the speakers’ appearance belied their bulk. Other than on the stepped rear panel, there’s hardly a straight line to be seen: the top slopes down, the sidewalls are gently curved, and the sloped-back, 6"-thick front baffle is faced with inset black felt and narrows toward the top, to optimize the tweeter’s acoustic environment.
The raked-back enclosure is heavily braced and features a triple-laminated, constrained-mode-damped construction with sections of varying thickness, and stands on an integral base, which has a subcompartment for the potted crossover circuitry. The network is wired point to point, and uses film/foil capacitors manufactured exclusively for Rockport Technologies as well as custom inductors and Caddock power resistors. All the crossover components are matched to within 1% tolerance, and each individual network is fine-tuned for the specific drive-units with which it will be used.
ãã®èšäºã¯ Stereophile ã® August 2017 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Stereophile ã® August 2017 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
INSTANTLY ICONIC
AUDIO SALON HOST/ENTREPRENEUR/SYSTEM AND FASHION DESIGNER DEVON TURNBULL'S RECORD-BREAKING ART OF NOISE SHOWING AT SAN FRANCISCO MOMA.
Buckeye PURIFI EIGENTAKT 1ET9040BA1
Back in 2016,' I documented the rise of class-D amps using the early Tripath technology. Used in the Bel Canto eVo 200.2, TriPath cracked open the door to the High End but was never admitted due to a dim and opaque treble.
Moon 891
No less than eight boxes, powered by six after-market power cables, comprise my current reference front-end.'
Clearaudio Signature
The Clearaudio allowed each mix, each sonic artifact, to reveal its unique character.
Gryphon Audio Designs Diablo 333
What's in a name? Denmark-based Gryphon Audio Designs laid down a marker when company founder Flemming Rasmussen chose that name in 1985. Browsing through the current Stereophile Recommended Components list, I only found one other manufacturer that utilizes an animal moniker.
The Rega Naia Turntable. Add Lightness.
To watch as Rega very slowly expands its turntable offerings upmarket requires the patience of a Thomas Pynchon addict waiting for each new tome from the notoriously slow-working and reclusive author.
Phono Preamplifier Seduction
Give me the seduction, give me the pleasure,\" Ron Sutherland was nearly shouting into the phone. \"I want to turn off the analytical mind and just enjoy myself!\"
Record Player Revelations
Like romance or car racing, the act of playing records is tactile by design. Like drifting through curves or making out, spinning vinyl is a learned skill that requires users to touch everything with practiced assurance.
Taking Care of Business
As Jim Austin wrote in this space in the December 2024 issue, following a medical procedure that he had in mid-October, he needed to take several weeks' leave to recuperate. He delegated the magazine's production to Managing Editor Mark Henninger, AVTech Editorial Director Paul Miller, and myself. The three of us worked with copy editor Linda Felaco and longtime art director Jeremy Moyler to produce the issue you hold in your hands.
Estelon X Diamond Mk II
Taste is a funny thing. Love cilantro? Millions swear it tastes like soap.