The twenty-tens began with James Cameron’s Avatar overtaking his own Titanic to become the highest-grossing movie ever. Yet Cameron, as if cowed by the prospect of emulating that gargantuan success, would not direct a single picture for the entirety of the decade – one that ended with Avatar relinquishing its place at the top of the box-office tree, and with 20th Century Fox, the venerable studio that released it, being taken over by an outfit that could truly claim, with rather more authority than Cameron did at the 1998 Oscars, to be the king of the world.
The Noughties were a decade in which technological advancements gave filmmakers the power to realise their loftiest ambitions. Yet it was corporate power that ruled over the decade that followed, with one global titan emerging as the dominant player in big-screen entertainment and another leading the way in video on demand. Netflix started out in the 1990s as a rental service distributing DVDs by post, but soon fathomed that online streaming was a more efficient means of reaching its rapidly escalating legion of subscribers. Its then-unique selling point was original content: addictive television series like Stranger Things, The Crown and Orange Is The New Black that could be voraciously consumed (or “binge-watched”) in a single marathon sitting.
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RETURN TO OZ
WICKED Cynthia Erivo and Ariana Grande defy gravity as the Broadway smash reaches cinemas.
GRIN AND BEAR IT
SMILE 2 Trauma-horror sequel sees the curse latch onto a pop superstar...
BAD ROMANCE
TIMESTALKER Alice Lowe falls in love with the wrong man time and time again...
CLOWNING GORY
TERRIFIER 3 Creator Damien Leone says Art the Clown is coming home for Christmas...
SELF EXPRESSION
LAYLA A non-binary, British-Palestinian drag queen navigates their expression of identity.
GENA ROWLANDS
I like difficult roles,' said Gena Rowlands. No kidding. A stage, TV and film actor whose career spanned more than six decades, Rowlands will be most remembered for the series of coruscating dramas she made with her first husband, actor-turned-director John Cassavetes, between 1968 and 1984.
'NOW NOTHING IS ABOUT LOOKS OR ABOUT BEING A LEADING LADY.AND IT'S VERY LIBERATING' EMILY WATSON
Since breaking hearts in Breaking the Waves, Emily Watson has delivered countless screen masterclasses, from Gosford Park and Punch-Drunk Love to Apple Tree Yard. Now, the English star goes toe-to-toe with Cilllan Murohy in Irish drama Smeal/ Things like hese and fronts 1V prequel Dune: Prophecy. Is it her second coming? It's elementary, my dear Watson...
BLODD PRESSURE
BASED ON STEPHEN KING'S MOST INFLUENTIAL BOOK AND WRITTEN AND DIRECTED BY IT SCRIBE GARY DAUBERMAN, VAMPIRE MOVIE SALEM'S LOT FACED AN UNHOLY FIGHT TO GET TO OUR SCREENS. TOTAL FILM HUNTS DOWN DAUBERMAN AND STARS LEWIS PULLMAN AND MAKENZIE LEIGH TO LEARN ALL THAT WAS AT STAKE...
Lucky Man
He broke out in Beatles jukebox musical Yesterday and has a varied slate of juicy projects on the horizon, including a very different take on a superhero franchise. But, as the everhumble Himesh Patel tells Total Film, he puts a lot of it down to luck...
A BUE ABOVE
WORLD-BUILDER EXTRAORDINAIRE RIDLEY SCOTT IS ALSO THE MASTER OF THE DIRECTOR'S CUT, RESTORING HIS MISHANDLED GEMS INTO MASTERPIECES. WITH THE EXPANSIVE DIRECTOR'S CUT OF NAPOLEON NOW AVAILABLE TO STREAM, TOTAL FILM SPEAKS TO THE GREAT SCOTT ABOUT BLOWING UP BONAPARTE HIS RELATIONSHIP WITH EDITING AND WHY BIGGER IS (USUALLY) BETTER.