On the 40th anniversary of the film Norma Rae, sally field looks back on the Oscar-winning role that helped her find her voice.
Before I got the part in Norma Rae, I wasn’t politically minded. I knew a little about unions, but only in the context of my own, the Screen Actors Guild, which I’d been a member of since I was 17. And even then, I was only barely aware of how important the guild was, and is, to a working actor. I had zero idea of what was going on outside my own world. Then I met director Marty Ritt. He was always considered an important voice in the industry, and his best films were centered around the struggles of ordinary working-class people. Having been blacklisted from Hollywood in the ’50s, he felt strongly about the right of the individual worker to have a voice, to have collective bargaining.
この記事は InStyle の March 2019 版に掲載されています。
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この記事は InStyle の March 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン