Last summer, in the midst of an emotional tangle I was struggling to unknot, I made an impromptu trip abroad. The trip itself is sidelong to the story I want to tell here, a story about two long flights, the first a sleepless red-eye I spent running laps around my predicament, returning again and again to the question: why does everything have to be so complicated? Why can’t my life, for once, be straightforward, instead of this endlessly forking path into the dark?
On the flight home, I distracted myself by watching movies—notably, Pedro Almodóvar’s Parallel Mothers (2021). The film turned me upside down. Its plot is a pileup of mistakes, on a spectrum from oblivious error to historic catastrophe, yet the note Almodóvar lands on is one of uplift: bonds of love forged out of pain and confusion and complexity. It struck me, as the credits rolled, that I could never have been so moved by a film that proceeded according to the logic I wanted to prevail over my own life—that a story about a frictionless, picture- perfect existence wasn’t much of a story at all. Perhaps, I mused, gazing out at the lowering sun, the way forward was to embrace the tangle and the work of unknotting it.
この記事は VOGUE India の March - April 2023 版に掲載されています。
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この記事は VOGUE India の March - April 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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