And that is exactly what the practice has done, on an unpromising site in a Brussels suburb. It’s not so easy to tell where the S House begins, surrounded as it is by lush landscaping, its sinuous form tucked into the side of a hill. Following the lines of ancient trees and newer native planting, the approach to the property belies its presence, but the driveway soon swings out to reveal the scope of the house, natural pool, and garden. An entranceway opens onto a planted sedum roof, looking towards the same rolling verdure that inspired the first landscape painters of the Low Countries.
The visceral contrast between the copious planting and stark, raw concrete of the building is the main material dialogue set up by the design. Entering a cool, subdued corridor with its monotone grey palette, the senses are calmed and retuned to appreciate the subtle textures in the shuttered concrete surface and oozy, exposed mortar: its cool, mineral scent; the slight and beautiful variations in tone. Thus calmed, the floor plan swings out again, revealing the first of the convivial open spaces within what is ultimately a family home.
この記事は Wallpaper の November 2019 版に掲載されています。
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この記事は Wallpaper の November 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Pas de Deux - Choreographer Wayne McGregor on turning a post-apocalyptic trilogy by Margaret Atwood into a three-act ballet in collaboration with composer Max Richter
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DREAM TEAM
A rewatching of a seminal film laid the foundation for JW Anderson's latest collection, a fantastical collaboration with artist Christiane Kubrick
