Still life subjects have been a staple for this artist. She recently decided to focus on items from the Tivoli theatre – in order to bring elements of human character and emotion into play.
Courses in drawing and painting gave me the basis for sound draftsmanship and an understanding of how to make the color. I have developed my ability as a still life artist and oil pastellist through my own practice and through observing work by other artists.
The recent incorporation of another brand of oil pastels into my work (Caran d’Ache) stemmed from reading about the work of American artist Susan Bennerstrom. The way I use these pastels, however, is based on the understanding developed over many years of the nature of Van Gogh oil pastels; the variations in opacity and intensity of color.
I am interested in color, shape, light, and shadow. I am also interested in texture in the artwork. I like to see the building of a piece of artwork, what sustains it from underneath, and what contributes to what happens on the surface.
I have always been interested in the still life genre, but not necessarily within the confines of the more traditional compositions.
I have worked primarily with oil pastels since being introduced to them in a drawing course at Adelaide Central School of Art. I was attracted to their vibrancy of color and capacity to build texture. I prefer to use color by mixing on the paper; I like colors built in this way.
I teach art at Marryatville High School in Adelaide. I feel that my experience with my own artwork gives me a good base for working with senior students. I am interested in broadening the students’ choices of subject matter and their understanding of composition. My experience of the psychological process involved in producing artwork enables me to understand and support students who often expect that work will come together more quickly and with greater certainty than it does. I often talk with students about the final ‘fine tuning’ that will bring a piece of work to a fully resolved level.
この記事は Artists Drawing and Inspiration の Issue 33 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Artists Drawing and Inspiration の Issue 33 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Pelicans To Portraits
This lady has painted everything from pelicans to portraits. She has completed commissions including cats, dogs, horses, possums, numerous beach scenes… and even a Scottish piper.
“I Cannot Imagine Life Without Art”
Throughout her story you can feel the delight and joy that radiates from this artist as she describes her passion for art.
The Noble Equine
Coloured pastel papers have been used to create this beautiful horse.
To Be at One With Nature
“My art is who I truly am, and it has given me a freedom to become ‘just me’,” claims this talented lady.
Making The Picture Sing
Using her fine attention to detail, this artist creates a loving tribute to her subject.
Thanks to Da Vinci
Wicked classroom caricatures and tattoos fired up the passion for this self taught artist to strive to produce the perfect drawing.
My Story
Sharing her passion for art has become a way of life for this determined and talented artist.
Link to Life
This artist adores pastels … a medium which she believes can fall between painting and drawing. Her art is truly her link to life.
Don't Rock the Boat
What comes first … the title or the painting? For this colourful artist, it can be either – and experimenting can lead to accidentally creating individual techniques.
Art for Steven
Some years ago, this man was inspired to make the transition from cartooning to painting. He had always wanted to express himself in this way, and he dedicates every painting to his late brother Steven who inspired him.