STEP ONE
Using a light Ultramarine Blue, I block in the composition of the painting – checking that the allocations of sky, middle ground and foreground are in balance.
STEP TWO
My method is to start from the top and work down; therefore the sky is my first task.
From the photograph, the sky is washed out – I know it consisted of wispy white cloud. I will put that in using Ultramarine Blue, Transparent Red Oxide and Cadmium Yellow Light with Titanium White for the wispy cloud effect.
STEP THREE
この記事は Artists Palette の No 167 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Artists Palette の No 167 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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